Thursday, September 5th, 2019 at 2:00 pm
As soon as Jon M. Chu is done working on his adaptation of Lin-Manuel Miranda’s In The Heights, he will move back to working on China Rich Girlfriend, the sequel to Crazy Rich Asians.
Unfortunately, he will have to do it without Crazy Rich Asians screenwriter Adele Lim, who has left the sequel due to the pay disparity that Warner Bros offered. According to reports, her co-writer Peter Chiarelli was offered $800,000 to $1 million, while Lim was only offered $110,000-plus. More on the report below.
In a case of “what took you so long?,” online auction giant eBay has finally banned the sale of Burzum merchandise. Burzum is, for those unaware, the one-man, Norwegian, ambient, black metal band masterminded by convicted murderer and self-proclaimed racist Varg Vikernes.
Vikernes was convicted in 1994 of murdering his Mayhem bandmate Ã˜ystein ‘Euronymous’ Aarseth by stabbing the guitarist 23 times reportedly over a contract dispute. Despite Vikernes’ convoluted claims of self defense, he was sentenced to 21 years in prison (the maximum sentence in Norway) and served 15 years before being paroled in 2009. (Watch Varg lay out his story of self defense, in his own words, in the video here below.)
Lou Reed, the so-called godfather of punk, whose embryonic sounds of that genre and combinations of avant-garde dirty rock and roll helped propel him to become a legendary artist by way of The Velvet Underground and his own solo projects, has died at the age of 71, according to Rolling Stone. The cause of death is unknown at this time, but Reed had undergone a liver transplant back in May [see Update below].
For the Brooklyn-born Reed, it ends a life that was labyrinthine, filled with color and mayhem, sadness, poetry, tender regret, and razor sharp aggression. Reed took early rock and roll and doo wop, and mixed it with the sounds and styles of the mid 1960s, the Andy Warhol New York City which was crystallized by way of illicit drugs, adventurous sexuality and exploring themes, and going to places unknown; not even The Beatles tread to some of the naked, raw narratives that Lou Reed and The Velvet Underground went to in their songwriting.
Eileen Brennan, an actress who successfully was able to do musical theater and then land somewhat of a niche in comedic roles, and is probably most remembered for her portrayal of a ball busting Captain in Private Benjamin, has died at the age of 80 after a lengthy battle with bladder cancer reports USA Today.
Brennan first cut her teeth in the acting community with various Broadway stints, she had showcased a penchant for singing with light comedy, as evidenced by her Obie winning performance in the 1960 New York production of Little Mary Sunshine. Hello Dolly was also part of her resume, and she then rounded out the decade with some theatrical films and appearances on TV variety programs, mainly the smash hit Rowan and Martin’s Laugh-In. That led to more TV, programs as genre stretching as All in the Family, the gritty cop drama Kojak, the soppy nautical light fare The Love Boat and others. She exhibited a versatility, which kept her employed prolifically as a utility character actress in Hollywood.
Ray Manzarek, one of the founding members of The Doors, whose keyboard and organ sounds were as much of a signature sound for the band as was lead singer Jim Morrison’s attitudinal and poetic lead singing, has died at the age of 74 in Rosenheim, Germany after a lengthy battle with bile duct cancer reports Rolling Stone.
The Doors were and remain one of the premier American rock and roll bands to come out of California in the 1960s. Like The Beach Boys, the band is pretty much synonymous with the California lifestyle, but very unlike the Beach Boys, they were like the solarized version of them, expressing musically about darkness, early gothic nightmarish tales of love, political awareness, death and doomy styles that were punctuated by music which was deep rooted in the blues and something else actually, something indescribable at the time. A sound that was all their own, which was created by Morrison’s shamanic lizard king posturing, the jazzy yet tight bottom ended drumming of John Densmore, the buried in the delta swampy fretwork of Robby Krieger, and the horrorshow carnivalesque feel from the hands of Ray Manzarek who flawlessly played his instrument (and sometimes even played the bass parts on the organ as well).