Thanks to my DVD subscription to Netflix, I’ve had the splendid opportunity over the last couple of years (as other fans have no doubt) in being able to rediscover and revisit some episodes of Classic Doctor Who, some of which I’ve not seen in decades.
In the course of these nostalgia trips, I began noticing that there were quite a few actors who were popping up in many of the classic serials that had also played a role in some of the Star Wars films. On top of that, there has been some Star Wars actors show up in the new series as well.
About a year ago, I came across a few submissions at the Doctor Who Subreddit over at Reddit.com – notably this one and this other one – showing the crossover of Doctor Who actors who had also been in Harry Potter.
Consequently, in the lead-up to the premiere of Series 7, I decided to put together a bit of a timey-wimey infographic matrix thingy that looks at the crossover of actors between Doctor Who and Star Wars. Hope you like it, and feel free to let us know your thoughts in the comments below.
The BBC has posted part two of the ongoing short mini web series, called Pond Life, focusing on the everyday life of Amy Pond (Karen Gillan) and Rory Williams (Arthur Darvill) in the leadup to Doctor Who Series 7. You can check out the new installment below.
In the previous Pond Life, Amy and Rory receive an odd phone message from The Doctor (Matt Smith), as for the first (known) time in his life as a Time Lord he keeps in touch with companions away from the TARDIS. While the Ponds seem amused during the first part, in the second we discover that the Doctor’s timing isn’t always brilliant…
The BBC has released a new trailer for the upcoming premiere episode of Doctor Who Series 7, entitled Asylum of the Daleks. Complete with the return of all versions of the iconic Daleks, including some from the Classic era, you can check out the new teaser at the bottom of this post.
Asylum of the Daleks begins with [WARNING: some minor spoilers ahead!] the Doctor being reunited with companions Amy Pond and Rory Williams (Karen Gillan and Arthur Darvill respectively), who are dealing with some of their own real-life dilemmas. As the Doctor sweeps them into time and space again, they are captured by the Dalek Parliament, who demand that the Predator of the Daleks aka The Doctor (we assume so) is sent into the Asylum of the Daleks to destroy those therein.
BBC America has released a brand new trailer for Series 7 of Doctor Who, that contains some awesome new footage not yet shown in the UK trailers. You can see the trailer in all its brilliance at the bottom of this post.
Some of the footage not seen before includes a short shot of River Song (Alex Kingston) and some film of the Weeping Angels from the final episode featuring Rory Williams (Arthur Darvill) and Amy Pond (Karen Gillan).
Doctor Who Series 7 showcases the return of the Eleventh Doctor, Matt Smith, and is produced by showrunner Steven Moffat. The seventh series will be split in two for broadcast: part one playing during the Fall, the Christmas Special introducing new companion Clara played by Jenna-Louise Coleman, and then part two concluding the seventh series during Spring 2013.
It was really strange watching the 1990 version of Captain America: The Movie after many years have went by since the first time I gave it a shot. With my anticipation for the upcoming big-budget Captain America: The First Avenger growing by the day (especially after just listening to the amazing orchestral score CD), I thought I would revisit the film that has taken a relentless beating by critics and fans of the legendary Marvel Comics character alike since its aborted release more than two decades ago.
First a little background about the film. In the late 1980’s, Israeli wannabe movie moguls Menahem Golan and Yoram Globus purchased the rights to make a feature film based on the character of Captain America, created in 1940 by the writer-artist team of Joe Simon and Jack Kirby, for their prolific film company Cannon Films. Cannon also had the rights to make a film based on Marvel’s Spider-Man and had just bought an option to bankroll a fourth Superman film from that franchise’s producers Alexander and Ilya Salkind. Clearly the Cannon boys were aching to break out of the low-budget B-movie ghetto they had built their company’s reputation on. But when Superman IV: The Quest for Peace went into production, the film’s budget had been cut drastically at the 11th hour from nearly $40 million to $17 million, resulting in a cheaply-produced product that swapped out the groundbreaking visual effects from the first Superman feature for cut-rate effects that would sadly be out of place even in a SyFy Channel original movie.