Doctor Who: The Thirteenth Doctor #0 Single Issue | Digital
Writer: Richard Dinnick
Artists: Mariano Laclaustra, Georgia Sposito, Ariana Florean, Claudia Ianniciello, Iolanda Zanfardino, Neil Edwards, Pasquale Qualano, Rachael Stott
Inker: Fer Centurion
Colorists: Color-Ice, Carlos Cabrera, Adele Matera, Dijjo Lima, Enrica Eren Angiolini
Letterers: Comicraft’s Sarah Jacobs, John Roshell Titan Comics
Release Date: September 26, 2018
Beginnings, they are such tenuous times. Except on Doctor Who, where nearly every beginning is also an ending. In less than two weeks, the Doctor returns to our television screens with a new face: Jodie Whittaker. To celebrate a moment that’s only happened a dozen times in the last 55 years, Titan Comics assembled Doctor Who: The Thirteenth Doctor #0 with an intriguing premise.
Attics can be wonderful, beautiful things. Sometimes they are repositories of worthless junk, but more often they have such wonderful stories to tell. They are full of boxes. Some contain toys from childhood. Others hold certificates, pictures, and correspondence. Still others contain mementos and heirlooms of events both obscure and infamous. There are such stories to be learned, if one can only gain entry and do some research.
That is how it could be for Doctor Who. With 52 years now passed since the show began production, what stories can its artifacts and ephemera tell us? We know the exoteric truths of the show’s production from its primary artifacts — the episodes produced by and shown on the BBC. Surely, there must be more than that. What were the stories, the images, the ideas that never made it onto those tapes? What did time or budget make impossible? What was merely deemed to be poor creative choice?
These are the motivating themes of a new book, Doctor Who: Impossible Worlds by Stephen Nicholas and Mike Tucker. It proposes to take us into the Doctor Who production design department to show how the core ideas of the series transformed from imagination to television drama for over 50 years. In this, it succeeds more than it fails and provides the reader with some rich visual insight into the history of Doctor Who.
Ahhh, what would it mean to know the mind of a Time Lord? It must be something to know what a Time Lord saw. There must be wit! There must be wisdom! There must be an ambivalence, a humor about the mundane moments. There must be perspective that comes from the understanding of time and history as a sometimes malleable thing. So, we are presented with a book called Doctor Who: The Time Lord Letters. What does it tell us?
In the end, it doesn’t tell us much. It tries to create a narrative of Doctor Who history that is approachable for younger television viewers. The actual history of the show is far more complex than that, due to reasons that have little to do with good storytelling. The full-color hardcover title does little to weave together all the historical threads of the Doctor’s lives. Instead, the book’s best appeal is to provide both older and younger viewers with an excellent photo collage of the entire history of Doctor Who. That, I think, is what will keep readers coming back to this book.
HBO has released a second trailer for season two of their drama The Leftovers, which comes from LOST co-creator and co-showrunner Damon Lindelof and is based on the book of the same name from author Tom Perrotta. If you missed it, you can watch the first trailer for the new season here as well.
Continue below now to see the second trailer for The Leftovers season two.
Even the best movies usually end up with a few bad reviews, that’s just the way it is. Legend, a movie starring Tom Hardy that released recently in the UK and releases soon here in the States, may not be one of the aforementioned “best” movies. But it is getting generally favorable reviews early on.
Of course some reviews of the movie aren’t too fond of the film. One such critiquing came from The Guardian, who gave Legend only two stars out of a possible five stars. Instead of just being bummed out by the poor review, the folks behind marketing the movie decided to twist the negative into a positive in a decidedly devious way on a new poster that even the man who wrote the review had to tip his hat to.