Nightbreed: The Director’s Cut Blu-ray
Director: Clive Barker
Screenwriter: Clive Barker
Cast: Craig Sheffer, Anne Bobby, David Cronenberg, Charles Haid, Hugh Quarshie, Doug Bradley, Malcolm Smith, Oliver Parker Scream Factory
Unrated | 140 Minutes
Release Date: October 28, 2014
“Everything is true. God’s an Astronaut. Oz is Over the Rainbow, and Midian is where the monsters live.” – Peloquin
Based on his 1988 novella Cabal, Clive Barker‘s 1990 film Nightbreed, produced by Morgan Creek and distributed by Twentieth Century Fox, was an epic saga about a tribe of monsters and outcasts that hides from humanity. Barker’s original version of Nightbreed ran 160 minutes, but unsure of how to sell the unconventional fantasy-horror film, Fox demanded a recut, prompting editor Richard Marden to leave the project in protest.
The theatrical cut of Nightbreed was released on February 16, 1990. Barker’s film was to be the Star Wars of the horror genre, but after nearly an hour of footage was cut from the movie, the studio repackaged it as a gory 102-minute slasher flick. The film was a critical and commercial failure – an incomplete, aimless curiosity that only the most die-hard Barker fans could find value in.
Directed by Christian Duguay (Screamers), Scanners II: The New Order is a direct-to-video sequel to David Cronenberg’s 1981 film, Scanners.
Written by B.J. Nelson (Lone Wolf McQuade), the story involves a crooked politician (Yvan Ponton) who schemes to gain control of a major city by manipulating Scanners (persons born with telepathic and telekinetic abilities) to do his bidding.
David Hewlett stars as David Kellum, a young veterinarian intern who discovers he is a Scanner, meaning he can read and control the minds of others and, if need be, make their heads explode. I’ll be honest, I’m not really sure why this movie exists – or what it’s even about – it just seems like the filmmakers focused on the amazing practical effects on display in Cronenberg’s film and decided to ratchet up the pulsating craniums and head explosions.
Cosmopolis Blu-ray | DVD
Directed by David Cronenberg
Screenplay by David Cronenberg
Based on the novel by Don DeLillo
Starring Robert Pattinson, Paul Giamatti, and Juliette Binoche Entertainment One
Release Date: January 1, 2013
With his sizable personal fortune – not to mention the future of his company – hanging in the balance after making a high risk bet on the Chinese yuan, 27-year-old billionaire asset manager Eric Packer (Robert Pattinson) just wants to get a haircut, and for some reason it requires a lengthy car trip across New York. Ensconced within the technologically-advanced interior of his stretch limousine, Eric’s journey is perennially delayed by traffic jams caused by the President’s visit to the city and riots being instigated by anti-capitalist revolutionaries waving dead rats and chanting “a specter is haunting the world – the specter of capitalism.”
Hello Geeks and Ghouls, Famous Monster here. Well, it’s finally October and you know what that means? Breast Cancer Awareness 5Ks? Good guess. Pumpkin Spice Lattes? Delicious, but no. Halloween? YES. Horror movies? DOUBLE YES!
Welcome to 31 Days of Horror, where I’ll cover at least two noteworthy horror films a day for the entirety of the month. That’s 31 Days of Horror and 62+ scary movies perfect for a cold, dark October night. Be sure to visit Geeks of Doom every day this month for a double-shot of chills and thrills!
Today’s double-shot of creepy-crawly horror features David Cronenberg‘s 1986 film, The Fly, and Chuck Russell‘s 1988 The Blob – both of which are remakes of 1958 drive-in classics.
James Woods isn’t taking the Videodrome remake news very well.
David Cronenberg‘s Videodrome, a mind-melting fresco of trenchant social commentary and nightmarish body horror, is a unique beast among the science-fiction and horror features of the 1980’s. It was the lauded Canadian filmmaker’s first studio film and also his first bonafide masterpiece. It featured amazingly gooey and horrific visual effects created by a talented team spearheaded by the one and only Rick Baker, daring performances from James Woods and Blondie lead singer Deborah Harry, and astute and chilling direction from Cronenberg – who also authored the provocative screenplay. In fact, Videodrome is the singular creation of an visionary storyteller finally hiding his stride as a director after spending years making multi-layered genre films like Rabid, Shivers (a.k.a. They Came from Within), and The Brood for indie producers and studios in his homeland.
Given almost total creative control from Universal Pictures, Cronenberg made a film that took the fascinating ideas he had been developing in his previous features and fused it with a challenging critique of modern technology and new media. The result was a motion picture experience the likes of which had never been seen before and would never be seen again, not even in the director’s later works. No less an authority than the late celebrated artistic genius Andy Warhol hailed Videodrome as “A Clockwork Orange of the 1980s”. But Videodrome opened in theaters to repulsed audience reaction and the sharpened knives of the nation’s top film critics. The version that played in the United States wasn’t even Cronenberg’s preferred cut; Universal compelled the director to pare down his movie’s sexual and violent content in order for it to secure an R rating from the MPAA. His full director’s cut would not been seen until it was finally released on home video more than a decade later.