Unfortunately for good ol’ Victor Crowley his creator Adam Green, the writer and director of the first two films in the Hatchet series, won’t be directing the next installment in the kill-tastic adventures of the swamp-dwelling slasher. B.J. McDonnell, the cameraman on Hatchet and last year’s controversial sequel Hatchet 2, will be making his directorial debut on the upcoming Hatchet 3. Green will likely remain on the new sequel as a producer.
Horror movie lovers will finally get to see Adam Green‘s Hatchet II when it arrives on DVD and Blu-ray on February 1, 2011.
The sequel to 2007’s Hatchet was scheduled to get a limited theatrical run in AMC theaters back in October, which is unheard of for movies with an NC-17 rating. Surprisingly, AMC then pulled the film from theaters soon after its release [Read: Adam Green’s ‘Hatchet 2’ Pulled From AMC Theaters “¦ But Why?].
Now, we’ll finally get to see Hatchet II in its original unrated and uncensored cut. See synopsis and DVD/Blu-ray bonus features here below.
The film stars Danielle Harris (Halloween), Tony Todd (Candyman), Kane Hodder (aka Jason Voorhees), Tom Holland (Director of Child’s Play), and R.A. Mihailoff (aka Leatherface), and sees the return of slasher Victor Crowley.
Check out Episode 15 of the Flix of Doom podcast, the official movie podcast of Geeks of Doom, with hosts Empress Eve and Justin Vactor.
In this episode, Empress Eve Of Doom gives us the low down on this year’s New York Comic Con, while Justin gives us the scoop on the Beauty And The Beast Blu-ray Edition. We also cover the latest movie news and box office results.
Full Episode Guide is here below, along with player.
Quite the buzz has grown recently around director Adam Green‘s slasher flick sequel, Hatchet II, and now an undying (fittingly) discussion is becoming all the more heated.
If you’re at all familiar movie ratings systems, you’re likely aware that the MPAA heads it all up and has been the source of much controversy over the years. Multitudes of films have struggled to get their movie down from an R rating to a PG-13, while many others have been forced to cut and trim crucial content just to find a way to reach an R rating down from the feared NC-17.
See, the problem with the system is that if this stuffy group of people who run the MPAA decide to pin your movie with an NC-17 rating, it’s not able to go into wide release because most theaters won’t touch them. This leaves you only the choice of releasing an NC-17 or unrated product in a limited amount of theaters, and that’s why you hear so much about movies having to cut down and earn that R. In a perfect world, any movie short of X-rated could be shown in most theaters, and those who are responsible for preventing minors from seeing them would do their jobs and ensure it. As it is, people can’t handle that overwhelming responsibility, and this is the way of the movie-going world.