The laws of time and space are about to be violated again when Hot Tub Time Machine 2 hits theaters February 20, 2015. In anticipation of the film’s release, Paramount Pictures has released this Super Bowl TV spot that features patriots and – you guessed it – ball jokes!
Check out the spot, and the film’s official trailer, here below!
Synopsis: The magical hot tub sends Lou (Rob Corddry), Nick (Craig Robinson), Jacob (Clark Duke), and Adam (Adam Scott) 10 years into the future to prevent an unknown assailant from shooting Lou, aka the “Father of the Internet.”
A new trailer for Hot Tub Time Machine 2 has been released online by Paramount Pictures. You can also check out a red band trailer for the sequel if you’ve not yet seen it and are not currently at work or around little children.
The movie stars Rob Corddry, Craig Robinson, and Clark Duke finding themselves in another time traveling adventure. You can read a synopsis and watch the trailer below.
Comedy sequel Hot Tub Time Machine 2 was on hand during the Paramount panel at San Diego Comic-Con 2014. You can read all about the panel, which also includes Christopher Nolan’s Interstellar and the new Teenage Mutant Ninja Turtles, right here.
To go along with their Con appearance, a trailer for the movie has also been released. But instead of choosing the more traditional movie marketing path (teasers, then full trailers, and so on), instead they’ve chosen to go all-out with the first trailer, an uncensored red band trailer that runs almost three-and-a-half minutes!
You can watch the trailer below, and of course, the NSFW warning is in effect.
Community‘s Gillian Jacobs has landed the female lead in Steve Pink‘s Hot Tub Time Machine 2, which stars Rob Corddry, Craig Robinson, Clark Duke, Adam Scott, and her former Community co-star Chevy Chase, who will be reprising his role as the mysterious hot tub repairman who enables the characters to travel through time.
Students of the Unusual™ comic cover used with permission of 3BoysProductions
The Mercuri Bros.™ comic cover used with permission of Prodigal Son Press