The Fifth Beatle The Brian Epstein Story Hardcover | Kindle Edition
Written by Vivek J. Tiwary
Pencils by Andrew C. Robinson, Kyle Baker
Inks by Andrew C. Robinson, Kyle Baker
Letters by Steve Dutro
Colors by Andrew C. Robinson, Kyle Baker
Cover by Andrew C. Robinson Dark Horse Comics
Release Date: November 19, 2013
Cover Price: $19.99
The life of Brian Epstein, who discovered and managed The Beatles and who almost singlehandedly supplied the runway in which the band could propel itself to the greatest heights, is the subject of a dazzling, can’t put it down graphic novel from Dark Horse Comics, entitled what many thought Brian to be during his short and troubled, yet fascinating life, The Fifth Beatle.
The legend of who the Fifth Beatle actually was has been sussed out to be many other figures in the band’s folklore along with Epstein, figures like radio DJ Murray the K, who anointed himself as such in the most novelty and charming way, or long-time friends Mal Evans or Neil Aspinall, both of whom were with the band in their earliest makeups and wound up becoming key integral parts of the rich, sprawling history the group found themselves entailed in as the years went on. But to people like Paul McCartney, Brian Epstein always held the mantle and title of the Fifth Beatle. And the creators of this biographic tale feel the same way, in essence, that nobody could claim that title but Brian.
Today marks an absolute milestone in the history of recorded music as Please Please Me, the debut album by The Beatles, celebrates its 50th anniversary.
It would now be incalculable and unthinkable to try and imagine what life would be like if these four men from Liverpool hadn’t come along and made an absolutely indelible stamp on the culture, makeup, and landscape in the musical world. And while of course the band was still in sort of a growing pains mode and possibly even experiencing a slight identity crisis when Please Please Me was released, the out-of-the-gate charm and superstar success the “early Beatles” were to have rather quickly afterwards was firmly right on the launching pad.
Good Ol’ Freda Director: Ryan White Cinematographer: Austin Hargrave Editor: Helen Kearns
On their 1963 Christmas record, The Beatles give thanks to “Good Ol’ Freda!” in Liverpool, their devoted secretary and friend. Directed by Ryan White, Good Ol’ Freda is a documentary about Freda Kelly, who was just a shy Liverpudlian teenager when she was asked to work for a local band hoping to make it big.
The Beatles were together for 10 years, but Freda worked for them for 11. She had no idea how far the band would go, but she had faith in The Beatles from the beginning, and they had faith in her. Many people came and went as they sky-rocketed to international stardom, but Freda remained a staple of the inner-circle because of her unfaltering loyalty and dedication. As the band’s devoted secretary and confidant, Freda was witness to the evolution of the greatest band in history.
Today would have marked the 70th birthday of the late George Harrison, who made up one-fourth of one of the most famous musical quartets in music history, The Beatles.
Shrouded in a kind of misunderstood guise while in The Beatles and somewhat to this day as what his actual role was in the band, the contributions of George Harrison to that Liverpudlian unit and to his solo career, which saw arching highs and aching lows, were monumental and immeasurable. His work was bright and necessary, adding just the right touches and facets to the crown jewels in The Beatles. Harrison’s lead guitar playing and background and sometimes frontman singing gave immense color to the sometimes suffocating for him log jam of the tunes of John Lennon and Paul McCartney, songs that also were churned out with a breathless standard and a high one at that, on an endless assembly line of quality, but ones which still seemingly pushed Harrison’s back against the wall when it came to those two men helping and bringing to fruition the true talent that nested inside of him. He became rather vocal about it through the years; he wasn’t comfortable being a somewhat sitting duck, a placid, go with the flow team player as Richard Starkey had been in the group (drummer Ringo Starr), where Starkey knew his deficiencies songwise and vocal wise, and thus, rested on his drum laurels, where he marveled flawlessly and often.
“Love Me Do”, the first number one single released by The Beatles, has entered the public domain in Europe due to the contemporary copyright laws, reports Rolling Stone.
Released 50 years ago last year (and backed with the B-side of “P.S. I Love You”), the tune, which launched The Fab Four into the musical stratosphere, can now be used free of charge in any forms of media one desires in Europe. The copyright law on the other side of the pond states that all recorded music has an expiration date after 50 years. On December 31st of last year, it took effect.