Netflix has released a trailer for their upcoming crime drama Narcos. The new series follows the rise of drug lord Pablo Escobar and his Medellin cartel, and the drug wars that followed. The entire first season of the show will be released on August 28th.
The show stars Wagner Moura (Elite Squad, Elysium) as Escobar, as well as Boyd Holbrook (Run All Night, Gone Girl), Pedro Pascal (Game of Thrones, Graceland), Joanna Christie (Misfits, Doctors), and Maurice Compte (Sabotage, A Walk Among the Tombstones).
Click on over to the other side for more information on Narcos and to check out the trailer for the show.
Directed by Dutch filmmaker Paul Verhoeven, 1987’s RoboCop is a sci-fi satire that explores themes of greed, privatization, capitalism, dystopia, and identity. The film spawned two theatrical sequels, two animated series, and two live-action television series – not to mention comic books, video games, toys, and theme park rides.
Because the RoboCop franchise was popular and profitable in the ’80s, it was only a matter of time until Hollywood resurrected it. For an industry that rides a fine line between creativity and commerce, movie studios see remakes as a way to mitigate financial risk. Why take a chance on new ideas and original scripts when they can dust off a recognizable brand and put a “new spin” on it, appealing to the audience’s collective nostalgia for said brand? For studios, remakes operate on the simple principle that, even if it sucks, it will still make money.
On Thursday, the first trailer for next February’s RoboCop reboot/remake was released. I watched it twice – the first time squinting and achingly readjusting my eyesight as a YouTube embed played on my trading card-sized cell phone screen; the second time in high-definition on my laptop. Viewing it initially with lackluster screen resolution and barely passable sound quality, I felt that I couldn’t judge the content fairly, since I was only able to process a flurry of rapid-fire images. The most visually appalling that I could recall were Samuel L. Jackson‘s hairpiece and some the sight of the iconic cyborg police officer of a crime-ridden Detroit re-envisioned (and I use that term so loosely it would not stick even if I used applied super glue and hammered nails into it, crucifixion style) as the stillborn love child of Mike Baron and Steve Rude’s sci-fi comic book superhero Nexus and one of those Jaeger pilot suits from Pacific Rim.
So I waited until the second time when I could finally hear and see everything the trailer had to offer to decide for myself if this 2:20 spot that us fans of the original RoboCop had been waiting for with the kind of anticipation that can reduce your stomach lining to beef jerky was a positive sign of things to come. As it turns out, I shouldn’t have bothered with the second viewing because I hadn’t really missed anything on my initial viewing of the trailer. No matter what size you watch it on, be it Google Glass or IMAX, the trailer for the rebooted RoboCop represents everything the bad buzz that has been gathering and festering for months like locusts feasting on the decaying remains of Bubonic plague victims was priming us for: ugly, bland, humorless, monotonous, and derivative of not only the original RoboCop movies, but of every jacked-up and failed superhero movie ever made by a major studio.
Back in July at SDCC, we told you about the first trailer we got to see for the reboot of RoboCop, starring Joel Kinnaman, Abbie Cornish, Gary Oldman, Jackie Earle Haley, Michael Keaton, and Samuel L. Jackson.
Now, that trailer has been released online. Watch it here below.
RoboCop, directed by Jose Padilha, is scheduled to hit theaters on February 7, 2014.
Anticipation for the RoboCop remake has been hit or miss since the project was announced, which made the Sony/Screen Gems panel at San Diego Comic-Con today the first big chance the filmmakers had to get everyone on their side. On hand to talk about the film were director Jose Padilha, and actors Joel Kinnaman (The Killing), Abbie Cornish (Sucker Punch), Michael Keaton, and fan favorite Samuel L. Jackson.
The panel started with a solid 5-minute clip showing Samuel L. Jackson as a TV host, sending out a broadcast showing some ED-209’s in action in the Middle East, while Michael Keaton’s character tries to convince members of the government that robots can be used as police instead of humans.
Director Jose Padilha explained that he wasn’t going to attempt to do the same movie that came out in 1987, but wanted to take elements and put them in a modern context where combat drones are a very real thing.