Kingsman: The Golden Circle Director: Matthew Vaughn Screenwriter: Gary Dauberman Cast: Colin Firth, Taron Egerton, Mark Strong, Sophie Cookson, Julianne Moore, Halle Berry, Elton John, Channing Tatum, Pedro Pascal, Jeff Bridges Distributor: 20th Century Fox Rated R | 141 Minutes Release Date: September 22, 2017
When getting a sequel, you’d expect something on a larger scale, something more epic than its predecessor. And a lot of times, a sequel can deliver on just that. But then there are those times where it just falls short or just stays the course. Kingsman: The Golden Circle is pretty much the latter. The film, which prides itself in dressing in sharply tailored suits, adds nothing new to the franchise. It’s same shop, same tailor, same pocket square, same tie, just a different knot. But it tries to add new elements by introducing the Statesman – the American version of the Kingsman but with more Stars and Stripes aesthetics.
But with barely any stakes and an eccentric villain with a lack of originality, Kingsman: The Golden Circle doesn’t do much of anything but put on the same exact suit, but with a different color and a different tie knot. My full review below.
Part of what makes the Kingsman so wonderful is that it is a side step in the spy genre that decided to take a dark and gritty turn. With the Bourne and James Bond franchises pretty much ruling the spy genre with their shaky cams and monochromatic tones, films like Spy and Kingsman give the genre a much-needed laugh. And the man who, in part, inspired the film adaptations of the Kingsman comic book is artist Dave Gibbons, who is best known for his collaborations with Alan Moore on Watchman, as well as their Superman story “For the Man Who Has Everything.”
With the sequel Kingsman: The Golden Circle hitting theaters this weekend, we had a chance to speak to Mr. Gibbons about franchise and why he decided to work with co-creator Mark Millar to bring the idea to life. Check out what he had to say here below.
The new trailer for Kingsman: The Golden Circle dropped earlier today, which was just in time for their Hall H panel at San Diego Comic-Con. The cast includes Taron Egerton, Colin Firth, Mark Strong, and Sophie Cookson, all of whom are returning to reprise their roles of the agents of a super secret British spy organization. They will be joined by Halle Berry, Channing Tatum, Jeff Bridges, and Pedro Pascal, who serve as agents of the Statesman, the American version of the Kingsman. Julianne Moore is Poppy, the film’s villain. Matthew Vaughn also returns to direct the sequel.
When it comes to Hall H, you can almost always expect some new footage from the film, and the cast to give it some extra hype. There was also a video that saw this world crossing over with the animated comedy Archer. Check it out below.
20th Century Fox has released a new trailer for Kingsman: The Golden Circle, the sequel to 2014’s Kingsman: The Secret Service.
Starring in the sequel is Taron Egerton, Colin Firth, Julianne Moore, Mark Strong, Halle Berry, Elton John, Channing Tatum, Jeff Bridges, and Pedro Pascal. X-Men: First Class, Kick-Ass, and Stardust director Matthew Vaughn returns for the new installment, from a screenplay he penned along with Jane Goldman (X-Men: Days of Future Past, Miss Peregrine’s Home for Peculiar Children).
Click on over to the other side for a synopsis and to give the new trailer a watch.
Last week we saw a high-speed first look tease for the sequel to Kingsman: The Secret Service, titled Kingsman: The Golden Circle. Though no information was given on when we might see a real trailer, it was assumed that one was coming soon.
These assumptions were correct, as 20th Century Fox has released the first official trailer for the movie. This time around, the Kingsman group finds themselves joining forces with an ally spy organization in America called Statesman.
Continue below for more information on The Golden Circle and to check out the trailer.
Students of the Unusual™ comic cover used with permission of 3BoysProductions
The Mercuri Bros.™ comic cover used with permission of Prodigal Son Press