On this week’s podcast, Andrew, Dwayne, and Tosin take an epic, deep-dive analysis of Westworld‘s stunning 90-minute Episode 1.10 “The Bicameral Mind,” the Season 1 finale.
Ford unveils his vision for a bold new narrative. Enlightened by Bernard and The Man in Black, Dolores comes to terms with who she is. Maeve sets her liberation plan in motion as Westworld faces a major upheaval.
On this week’s podcast, Andrew, Dwayne, and Tosin deconstruct Westworld Episode 1.8 “Trace Decay” as they ask, What’s next for Maeve and her army? Will Sizemore be able to get Abernathy out of the park? What happened in Church Town in Westworld beta? Who’s behind the masked pagans?, and IS ELSIE REALLY DEAD?!!…
Ford orders a reluctant Bernard to conduct business as usual. Maeve looks to change the script for her storyline. Dolores finds it increasingly difficult to separate dreams from reality. Teddy is jarred by dark memories, while the Man in Black recalls some of the travails that brought him to this critical juncture.
On this week’s podcast, Andrew, Dwayne, and Tosin deconstruct Westworld Episode 1.7 “Trompe L’Oeil” as they ask, What’s Delos’ “little research project”?, What’s out beyond the “unclaimed territories?”, What’s Ford’s master plan?, and What happened to Elsie?!!
Dolores (Evan Rachel Wood) and William (Jimmi Simpson) journey into treacherous terrain; Maeve (Thandie Newton) delivers an ultimatum; Bernard (Jeffrey Wright) considers his next move.
On this week’s podcast, Andrew, Dwayne, and Tosin deconstruct Westworld Episode 1.6 “The Adversary” as they ask, What fun will Maeve have with Felix & Sylvester? Why is Cullen smuggling data out of Westworld? Why did Arnold tell Ford-bot Jr. to kill other hosts? Who attacked Elsie?!
Maeve (Thandie Newton) charms Lutz (Leonardo Nam); Elsie (Shannon Woodward) uncovers possible sabotage; the Man in Black (Ed Harris) and Teddy (James Marsden) run afoul of a garrison.
Students of the Unusual™ comic cover used with permission of 3BoysProductions
The Mercuri Bros.™ comic cover used with permission of Prodigal Son Press
