Sony Pictures Entertainment has released an official trailer for Spider-Man: Into the Spider-Verse, the upcoming animated feature starring Shameik Moore as Miles Morales.

The movie is set in a world where more than one person with the abilities of the spider are walking (or jumping or crawling or swinging) around the city. One of those people is none other than Peter Parker (voiced by Jake Johnson), who will mentor Morales. This mentor was briefly shown in the teaser trailer last December. The cast also includes Hailee Steinfeld, Mahershala Ali, Jake Johnson, Liev Schreiber, Brian Tyree Henry, Luna Lauren Velez, and Lily Tomlin.

Continue below to see who the rest of the cast is playing, and to check out the official trailer for Spider-Man: Into the Spider-Verse along with a poster.

From beloved children’s books to an educationally delightful PBS show, The Magic School Bus has taken kids on wacky field trips that explore the human body, space, and beyond. Now Netflix is taking the show and giving it a reboot, with The Magic School Bus Rides Again.

For the reboot, Ms. Frizzle (Lily Tomlin) is giving the keys to her younger sister (voiced by Kate McKinnon). Even the theme song is getting revamped from the one any only Lin-Manuel Miranda.

Check out the first trailer for The Magic School Bus Rides Again below.

Nashville, the 1975 ensemble film by famed director Robert Altman which crystallized the canon of adventurous films that symbolized the “New Hollywood” of the 1970s, celebrates its 40th anniversary today.

Released in theaters on June 11, 1975, Nashville, which is a sprawling patchwork of 24 characters who intermingle in various ways over a weekend in the famed Tennessee city, remains one of the most risk-taking and eclectic motion pictures ever committed to celluloid. Full of rich characterizations; dialogue that appears to have been completely improvised; direction and staging that in many sequences make the picture almost seem in a documentary and cinema verite vein; sound that manifests from placements of microphones that seem to emanate from all four corners of the frames and of course; a musical soundtrack in which the actors in the film actually sing and even in some cases wrote the songs themselves (especially the Academy Award-winning “I’m Easy” by Keith Carradine), Nashville remains like an indie film raised to the highest apex, a film that in essence could and would never be released in today’s day and age, a true zeitgeist of its (and our) time.