“All right, let’s show ’em what we got, guys! Get out there on the ice and let ’em know you’re there. Get that fuckin’ stick in their side. Let ’em know you’re there! Get that lumber in his teeth. Let ’em know you’re there!”
— Reggie Dunlop from Slap Shot
“Now that I’ve got school covered, I’ve only have the world outside these walls to fuck up.”
— Diana Guzman from Girlfight
“Well, put on some skates and be your own hero.”
— Maggie Mayhem from Whip It
The sonic fury of a film’s soundtrack is integral to its lasting presence. The soundtrack to Drew Barrymore‘s Whip It is a furiously beautiful compliment to this potent and rousing coming of age film. Barrymore understands the importance of a film’s soundtrack. She understands how vital the musical component is to the film. All one has to do is read her note that she wrote for the soundtrack album:
“Music is the soundtrack to our lives, and when you put music and film together, it is a powerful combination.”
“I have always been someone that had a great appreciation for the art of the mix tape.”
“This soundtrack is my mix tape for you.”
Drew Barrymore gets it. She understands the relationship between music and film. While watching the film, I would crack a smile as songs by The Breeders, Tilly And The Wall, The Ramones, The Chordettes, Dolly Parton, Peaches, and many others would blare out during the film’s many magical and cathartic moments. A good soundtrack is essentially an awesome mix tape. Drew Barrymore understands this all too well for her directorial debut.
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