Wall-E #4 Written by Bryce Carlson
Art by Morgan Luthi
Cover A & B: Morgan Luthi
Release date: March 24, 2010
One would assume that if you are reading this review, you most likely enjoy Wall-E, Pixar, and/or BOOM Kids. If this is true than you will definitely enjoy this comic. If you haven’t seen Wall-E than this comic might throw you for a loop because it follows the style of the movie in that in most of the scenes with the WALL-E units, there’s hardly any dialogue and the little dialogue they show all has to be sounded out. As I will discuss in more detail later in the review, this book is amazing for the art alone, as with the movie.
For the first time since this comic started the story is beginning to become more clear and intense. I believe we are hitting an apex in the story and may be finding out a lot of answers to the questions raised in the movie itself. I have really enjoyed all the stories up to this point but this issue has brought it to a whole new level and I have to say it has been ramped up and we finally see some humans for the first time. We also get the pleasure of seeing another new kind of robot that is part of the cleaning project on Earth that seems like an overseer of the WALL-E units. I really think that writer Bryce Carlson has really thought out this story and is invested in the adventure of Wall-E and respecting the story.
WALL-E #3 Written by J. Torres
Art by Morgan Luthi
Colors by Digikore Studios
Letters by Deron Bennett
Release date: February 24, 2010
Some people think bugs and rodents are pests, others think they’re pets. I happen to fall into the latter category, having owned several pet insects and a rather large lab rat named Cornelius. Wall-E #3 tells the story of how everyone’s favourite trash compactor met his pet cockroach and only companion in a terrible trash-filled world.
Much like the Pixar animated movie, Wall-E #3 tells its story with almost no dialogue. This works well on some degree, but the comic suffers due to the lack of movement available to the character. One of the ways WALL-E was able to demonstrate so much emotion in the film without even having a face was through his frantic arm movements. It’s harder in a drawn still shot to demonstrate that same range of emotion.
Despite that, the J. Torres script still carries much of the charm that the original film did. The complicated Rube Goldberg-like traps that WALL-E concocts in an attempt to catch his six-legged friend are hilarious, and you can sense the loneliness of WALL-E through the pages as he attempts to make his first real friend.