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DreamWorks Moving Forward With 3-D ‘Ghost In The Shell’ Project
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A new movie based on the Japanese manga franchise Ghost in the Shell has been talked about for a while now, but it appears that DreamWorks is ready to give it another big go. It has been announced that Laeta Kalogridis has been hired to write the script, and that the live-action movie will be filmed entirely in 3-D with Avi Arad, Ari Arad among the producers.

Ghost in the Shell is a highly-futuristic story about a cyborg named Motoko Kusanagi who works for a Japanese Public Safety division known as Section 9. She is almost completely composed of mechanical components with only her brain remaining organic. The title is something of an allegorical reference to whether her soul (ghost) exists within her shell of a synthetic body — Motoko often even wonders if her memories are also manufactured and nothing about her is real. The character has been used in many different ways, so it’s not known if DreamWorks plans to create their own story based on the manga or if they may remake one of the pre-existing anime movies.

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Book Review: ‘Night Watch’ By Terry Pratchett
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By ScarletScribe

Night Watch
Discworld series
Mass Market Paperback
By Terry Pratchett
HarperTorch
Published: September 30, 2003

Time travel, as a story premise, can be a slippery slope. While some creators go to great lengths to describe how the Grandfather Paradox can be overcome, others find themselves backed into a corner, waving a magic wand at logical thinking and asking the audience to take it on good faith that the hazards of time travel can be easily overcome.

Meanwhile, Terry Pratchett‘s comic fantasy Night Watch — the 29th novel within his Discworld series — takes it at face value and has everyone run with it. When Sam Vimes, commander of Ankh-Morpork’s police force, is thrown back through time while chasing a psychopathic killer, there’s hardly a moment to spare for either Vimes or the reader to ruminate upon the logistics of it all. Instead, Pratchett’s time-travel is a set-up for much larger questions — and we’re talking more than just, “What would happen if he killed his grandpa?”

That’s where the subtle strengths of Pratchett’s writing come in. Though written in the third-person, Night Watch‘s story unfolds more like a stream of consciousness. Rather than being bogged down in thoughtful monologues, the story actually takes off as Vimes spends his time observing other people and contemplating how he can play to their emotions and instincts. The novel is less about asking what one would do with time travel, and more about how you would have to do it. For his part, Vimes is forced to go through the motions of the past while still hunting down a notorious killer that no one in the past has even heard of — without upsetting the reality they’re used to or the future he came from.

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