The majority of films are on the list below are compelled to put a halt to something. That something can be anything, but it’s the driving force that makes some of these films approach greatness. The impulse to avoid something or to alter an emotion have consumed the films in my top 10. An aging director in Pain and Glory desperately tries to avoid the bleak fact that his best years, personally and creatively, are well behind him by avoiding drifting into creative obscurity. In Portrait of a Lady on Fire, two ravishing young women must avoid the passionate feelings they have for each other, no matter how difficult such a task is. Quentin Tarantino ruminates extensively on the concept of altering time. His Once Upon a Time…in Hollywood envisions a world where Charles Manson and his disciples get the ultimate comeuppance. In Uncut Gems there seems to be an inevitable ending that its main character cannot avoid, no matter how tirelessly he tries. And in The Irishman an aging gangster wants so badly to avoid his inner conscious that he tries to avoid his true emotions at all costs, but sometimes trying all your might just isn’t enough.
It’s that time of the year again where writers from various film blogs start to post their top ten favorite films of the year. Given that we see over 100 films a year, it is hard to narrow it down to a top ten list. Of course, not all lists are the same, and all of them are subjective. One list doesn’t necessarily define an entire year. Still, you are likely to find a similarity of choices of films on these lists. Looking back at the year, there have been plenty of movies that could have made the list from the blockbuster favorites like Marvel Studios’ Avengers: Infinity War to indies like Lulu Wang‘s The Farewell, and even some really great foreign films like Bong Joon-ho‘s Parasite and originals like Rian Johnson‘s Knives Out. Below I run down my top ten favorite movies of 2019.
NEON has released an official trailer for Parasite from Bong Joon-ho, the director of Snowpiercer, The Host, Mother, and Okja.
The movie won the top prize at the Cannes Film Festival, the Palme d’Or, this year. It’s described as a “pitch-black modern fairytale,” telling the story of two very different families—one incredibly wealthy, one poor and unemployed—whose lives end up entwined.
You can find the trailer for Parasite along with more info and a poster below.
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