Whether or not Quentin Tarantino is telling us the truth about his retirement he’s been pondering after his tenth film remains to be seen, but if it is true, we’re going to have to enjoy every last minute of it because he has just announced what his ninth film will be about.
For his “penultimate” film, Tarantino has decided that it will focus on the Manson family murders. Quite a subject, and one that will probably have another unique take. Check out more about the film, below.
Every year since 1989 the Library of Congress’ National Film Registry has selected twenty-five short films and full-length features to be recognized, in the words of the librarian of Congress James H. Billington, as “cultural, historical, or aesthetic cinematic treasures.” From Citizen Kane and Star Wars to Woodstock and This is Spinal Tap, each year’s list contains some of the most beloved and significant films ever made, and now the Dude and Ferris Bueller get to join their ranks.
Joel and Ethan Coen’s 1998 comic thriller The Big Lebowski, which has become a certified cult classic in the sixteen years since its theatrical, Steven Spielberg’s Oscar-winning World War II drama Saving Private Ryan, and John Hughes’ endlessly quotable high school comedy Ferris Bueller’s Day Off are among this year’s additions to the National Film Registry, bringing the total amount of films in the Registry to 650.
Hello Geeks and Ghouls, Famous Monster here. Well, it’s finally October and you know what that means? Breast Cancer Awareness 5Ks? Good guess. Pumpkin Spice Lattes? Delicious, but no. Halloween? YES. Horror movies? DOUBLE YES!
Welcome to 31 Days of Horror, where I’ll cover at least two noteworthy horror films a day for the entirety of the month. That’s 31 Days of Horror and 62+ scary movies perfect for a cold, dark October night. Be sure to visit Geeks of Doom every day this month for a double-shot of chills and thrills!
Today’s one-two punch of psychological horror features Roman Polanski‘s 1968 film, Rosemary’s Baby, and Nicolas Roeg‘s underrated 1973 British classic, Don’t Look Now. Satanic cults, supernatural sisters, and more await you!
Trying to figure out the themes that the 2010 year in cinema gave to us is not a hard task at all. If anything, this year’s best films had an irrepressible surge that impelled them all toward themes focusing on alienation, instability, conformity, and deception, all different routes that lead to the same destination: at an arrival of self-discovery.
Below are my picks for the Top 30 films of 2010, all of which, in one way or another, had characters that had to confront the danger that was permeating their existence, as a bullfighter bravely confronts an oncoming bull. This confrontational theme knew of no cinematic boundaries. It hit hard in Toy Story 3 and The Kids Are All Right just as hard as it did in Winter’s Bone and Black Swan. It did not matter if Andy had to confront college or if Nina had to pierce a deep wound into her own being just so an answer could be derived. All characters in all 30 films were just as much bothered with universal issues as they were with personal demons. King’s Speech demonstrates this as King George VI has to face WWII and his stammering issue. And the directors of these films did not revile such themes, as they satisfyingly indulged in them by creating unwelcoming atmosphere fostering trite and brutal themes and making them into something glowingly artistic.
The Ghost Writer Directed by Roman Polanski
Starring Ewan McGregor, Pierce Brosnan, Olivia Williams, Kim Cattrall
Release date: February 19, 2010
“I’ve been having this nightmare. A real swinger of a nightmare, too.”
— Major Bennett Marco from The Manchurian Candidate
“Have you ever heard the expression “Let sleeping dogs lie”? Sometimes you’re better off not knowing.”
— Jake Gittes from Chinatown
“Sorry, I’ve just got one question: Whose map is Britain using when it completely ignores the United Nations and decides to invade Iraq? Or do you think it’s more diplomatic to bend the will of a superpower and politely take part in Vietnam the Sequel?”
— Tessa Quayle from The Constant Gardner
The Ghost Writer: Prisoner Of Convictions
The consequences of our transgressions are the stains that cannot be cleansed away. The past is the vessel that we cherish and regret with equal measure. Art can be the ultimate catharsis when dealing with the past or attempting to get through the present depending on what one’s situation is. Imagine what life would be like if we could write are our memoirs with the aid of a ghost writer who believes everything we say. Unfortunately, what would happen if the ghost writer goes to check all the information you provide? Your life would take on different meaning — more honesty might expose you to disgrace or more ridicule.