On this week’s Drill Down podcast, fighting terrorist drones… with eagles, Facebook‘s vision for the future, should the robot that takes your job pay your taxes?, newly discovered planets that may contain life, and much much more.
This week, Samsung vs. Apple— the final round?, Britain responds to terror on social media, has the real genius behind bitcoin finally been discovered?, and what happened to Apple design?!…All this and more … on The Drill Down.
The holiday season is coming up and The Drill Down would like you to be ready for it. So as we do every year around this time, we’ve prepared a list of what we consider the perfect gifts to give… and get this holiday. So before you stand around for hours this Black Friday, spend some time with us. Here’s the Drill Down’s Holiday Gift Guide 2015.
Zero Dark Thirty
Directed by Kathryn Bigelow
Written by Mark Boal
Starring: Jessica Chastain, Jason Clarke, Joel Edgerton, Mark Strong, Chris Pratt, Kyle Chandler, Mark Duplass Columbia Pictures
Rated R | 160 Minutes
Release Date: January 11, 2013
“I’m the motherfucker who found this place.” – Maya (Jessica Chastain)
For over a decade, an elite team of intelligence and military operatives, working in secret across the globe, devoted themselves to a single goal: to find and eliminate Osama bin Laden.
Zero Dark Thirty reunites the Academy Award-winning team of director-producer Kathryn Bigelow and writer-producer Mark Boal (The Hurt Locker) for
the story of history’s greatest manhunt for the world’s most dangerous man.
As I’m sure you’re aware, Zero Dark Thirty features graphic scenes of enhanced interrogation tactics that were implemented by the Bush administration after 9-11, techniques like waterboarding and sexual humiliation that are illegal under international law.
It seems like many political commentators and CIA officials are worried that, by including the dark side of the government’s hunt for Al Qaeda, Bigelow’s film may give viewers the wrong impression: that the brutal interrogation methods are the reason we located Bin Laden’s compound.
That’s simply not the case and anyone who walks out of Zero Dark Thirty with the impression that it takes a pro-torture stance didn’t pay attention to the intricacies of the narrative. Depiction is not endorsement, and if it was, no artist could ever portray inhuman practices; no author could ever write about them; and no filmmaker could ever explore them.