Doctor Who: The Thirteenth Doctor #0 Single Issue | Digital
Writer: Richard Dinnick
Artists: Mariano Laclaustra, Georgia Sposito, Ariana Florean, Claudia Ianniciello, Iolanda Zanfardino, Neil Edwards, Pasquale Qualano, Rachael Stott
Inker: Fer Centurion
Colorists: Color-Ice, Carlos Cabrera, Adele Matera, Dijjo Lima, Enrica Eren Angiolini
Letterers: Comicraft’s Sarah Jacobs, John Roshell Titan Comics
Release Date: September 26, 2018
Beginnings, they are such tenuous times. Except on Doctor Who, where nearly every beginning is also an ending. In less than two weeks, the Doctor returns to our television screens with a new face: Jodie Whittaker. To celebrate a moment that’s only happened a dozen times in the last 55 years, Titan Comics assembled Doctor Who: The Thirteenth Doctor #0 with an intriguing premise.
Following Bill Potts (Pearl Mackie) entering the TARDIS with the Doctor (Peter Capaldi), the pair head into the future, visiting a new human settlement on Gliese 581d. But where are all the people? And what are these strange robots that talk in emoji?
During TARDISblend 101, we dive into the beginning of the new Doctor Who season, explore the dynamic character development we are seeing in the first two episodes, and drill deep into the subtexts and themes explored in this second chapter of Series 10.
Ahhh, what would it mean to know the mind of a Time Lord? It must be something to know what a Time Lord saw. There must be wit! There must be wisdom! There must be an ambivalence, a humor about the mundane moments. There must be perspective that comes from the understanding of time and history as a sometimes malleable thing. So, we are presented with a book called Doctor Who: The Time Lord Letters. What does it tell us?
In the end, it doesn’t tell us much. It tries to create a narrative of Doctor Who history that is approachable for younger television viewers. The actual history of the show is far more complex than that, due to reasons that have little to do with good storytelling. The full-color hardcover title does little to weave together all the historical threads of the Doctor’s lives. Instead, the book’s best appeal is to provide both older and younger viewers with an excellent photo collage of the entire history of Doctor Who. That, I think, is what will keep readers coming back to this book.
Doctor Who Season 9, Episode 2 “The Witch’s Familiar”
Directed by Hettie MacDonald
Written by Steven Moffat
Starring Peter Capaldi, Jenna Coleman, Michelle Gomez, Julian Bleach
Air date: Saturday, September 26, 2015
So… how do we start? We assume we’re going to win! When we left off last week, the Doctor discovered his own part in Davros’ past; he, Missy, Clara, and the TARDIS were all on Skaro; and the latter three of those four were apparently vaporized. It was just the Doctor, Davros, and a planet full of Daleks, or as Missy put it this week “on the run, no TARDIS. No friends, no help. In other words “¦ the Doctor, happy.” Well, I wouldn’t go that far… and neither would showrunner Steven Moffat. It’s a tangled web, to be sure! How does the Doctor escape? By creating a future that causes a past that produces his present, and showing once again that compassion is a disease for which there is no cure.
With all of the opening overture fireworks completed, the strengths of the Moffat-era Doctor Who now become more apparent. Where last week we saw almost a bewildering display of characters and plot twists, the players this week on Episode 9.2 “The Witch’s Familiar” are reduced to just five: the Doctor, Missy, Clara, Davros, and the Daleks. We know they are on Skaro, and we have some idea how they relate to one another… or do we? The brilliance of Steven Moffat the writer is to skillfully invert what we think we know about characters and situations and to do it with brilliant, economical dialogue.
Doctor Who Season 9, Episode 1 “The Magician’s Apprentice”
Directed by Hettie MacDonald
Written by Steven Moffat
Starring Peter Capaldi, Jenna Coleman, Michelle Gomez BBC America
Air date: Saturday, September 19, 2015
This is what happens when narratives attack. In 1963, a 4-week-old BBC television show called Doctor Who embarks on its second serial by visiting the world of Skaro and introducing the semi-robotic survivors of an atomic war called the Daleks. The Daleks are a huge hit, establish the format of the show, and make it a fixture on British television for decades. The Daleks re-appear on the show every couple years. In 1975, the show finally decides to expose the origin of the Daleks. The Doctor returns to Skaro, sent by the Time Lords to prevent or alter their development. In it, viewers are introduced to Davros, the evil scientist extraordinaire who is fundamentally responsible for their development. The serial is considered to be one of the best Doctor Who stories ever. In 1988, Doctor Who revisits the time and place of its first episode from nearly 25 years earlier. Davros is there, leading one of two factions of Daleks, both of whom are after a stellar manipulator called the Hand of Omega. An ancient Time Lord artifact of tremendous power, the Doctor brought it to Earth and eventually uses it to destroy Skaro. This installment strongly signals a creative return to form for the series after years of poor creative choices, changes in time slot, and alterations in format. It is too late. Just short of two seasons later, Doctor Who is cancelled. In 2015, the ninth season of a revived Doctor Who series begins with the Doctor either saving or killing a young boy named Davros who’s trapped in a minefield on Skaro … what does it mean for Doctor Who this time? Let’s find out.