Photo: ‘Alien’ Xenomorph On 13th Century Scottish Abbey
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What would you think if you visited a 13th century Scottish abbey, and among the many gargoyles, you spotted a xenomorph, the terrifying other worldly creatures from the Alien movie franchise?

Paisley Abbey was founded in the year 1245, so seeing a xenomorph gargoyle could be very much intriguing and a little bit scary. But, as it turns out, there were also some more renovations done in the ’90s, which makes slightly more sense.

You can check out an image of the xenomorph gargoyle, as well as a video discussing the abbey’s gargoyles below.

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Comic Review: Aliens: Inhuman Condition
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Aliens: Inhuman Condition
Written by John Layman
Art by Sam Kieth
Colors by Sam Kieth, John Kalisz
Cover by Sam Kieth
Dark Horse Comics
Release Date: April 30, 2013
Cover Price: $10.99

On a distant frozen world, “artificial persons” are manufactured by mega-conglomerate Weyland-Yutani. These formidable new security synthetics, designed for combat, test their mettle against a hive of deadly Xenomorphs.

Socialization Specialist Jean DuPaul, who teaches the synthetics empathy, sees her ever-more-human android students sent to their destruction and learns that the most savage species in the universe is man.

Aliens: Inhuman Condition tells the story of Jean DuPaul and Bear, an unlikely duo in that Bear is an inanimate object – a fluffy, pink teddy bear to be exact. DuPaul lost her husband and daughter, and all she has left of her family is Bear, the stuffed synthetic play-thing that was to be her daughter’s.

Written by Eisner and Harvey Award-winner John Layman (Chew, Detective Comics), Inhuman Conditions sees DuPaul traumatized after losing her family during a Xenomorph attack. She’s eventually rescued by a task force of androids – but the damage is done.

DuPaul’s world view has been shattered, forcing her to see reality differently than her co-workers at the Weyland-Yutani manufacturing plant. She confides in Bear (think Steven Spielberg’s Artificial: Intelligence) and begins to see the Androids she teaches social skills to as living, breathing, human beings.

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31 Days of Horror: Alien / Invasion of the Body Snatchers
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Hello Geeks and Ghouls, Famous Monster here. Well, it’s finally October and you know what that means? Breast Cancer Awareness 5Ks? Good guess. Pumpkin Spice Lattes? Delicious, but no. Halloween? YES. Horror movies? DOUBLE YES!

Welcome to 31 Days of Horror, where I’ll cover at least two noteworthy horror films a day for the entirety of the month. That’s 31 Days of Horror and 62+ scary movies perfect for a cold, dark October night. Be sure to visit Geeks of Doom every day this month for a double-shot of chills and thrills!

Today’s double-shot features a creature that gestates inside a living human host and has concentrated acid for blood, and gelatinous space aliens that have a penchant for snatching bodies. Actually, both of these films feature space aliens that LOVE Veronica Cartwright, apparently. After the jump, I’ll be discussing Ridley Scott‘s 1979 film, Alien, and Philip Kaufman‘s 1978 remake, Invasion of the Body Snatchers.

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Prometheus: To Create, You Must Destroy…
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DISCLAIMER: This feature contains specific plot details and spoilers regarding Sir Ridley Scott‘s latest film, Prometheus. By now you’ve no doubt dedicated hours to scouring the darkest corners of the internet in hopes of finding answers and explanations to the film’s numerous questions and mysteries.

This feature isn’t an attempt to assuage geeks and enthusiasts who demand answers from their speculative science-fiction, but it will discuss the ending of the film so reader beware. But first, let’s start with tonight’s viewing: Ishirô Honda’s 1962 film, King Kong Vs. Godzilla, starring Tadao Takashima, Kenji Sahara and Yû Fujiki.

Mr. Tako (Ichirô Arishima), the chairman of a pharmaceutical company, learns the bizarre tomato-sized berries that grow on Farou Island are a miracle cure. The natives of the island worship a god called King Kong, a colossal ape whose size can be attributed to the berries.

Tako leads a scientific expedition to the island to retrieve the berries and capture the monster. Meanwhile, a crew of American pilots discover Godzilla has escaped from the glacier that sealed his fate back in 1955. From there, King Kong escapes his captors and goes toe-to-toe with Japan’s King of the Monsters in an epic battle royale that manages to throw a giant octopus creature in for good measure.

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Book Review: The Book Of Alien
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The Book of Alien
Written By: Paul Scanlon and Michael Gross
Published by: Titan Books
Release Date: May 29, 2012

The Book of Alien by Paul Scanlon and Michael Gross was originally published by Heavy Metal Books in 1979. Ridley Scott’s return to science-fiction with Prometheus has sparked a renewed interest in the Alien mythos once again, so Titan Books has reprinted this 112-page art book, which features conceptual designs and illustrations that would come to define Ridley Scott‘s Alien as a science-fiction masterpiece.

The book features minimal information about the genesis of Dan O’Bannon’s script and the film’s production. Instead, The Book of Alien is an art book that focuses strictly on the visual aspects of Alien, filled with countless illustrations and photographs from the film’s production.

Artists Ron Cobb created hundreds of preliminary sketches of the interiors and exteriors of the Nostromo ship, which went through many design concepts, as well as the escape shuttle, Narcissus. Joining Cobb on the more human aspects of the film was artist Chris Foss, known for his covers of science-fiction novels and spaceship illustrations.

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