Steven Spielberg Doesn’t Think Netflix-Created Films Should Be Considered For Oscars
Monday, March 4th, 2019 at 11:00 am
When Roma took home three Oscars (Best Director, Best Foreign Language Film, and Best Cinematography), it showed that Netflix was able to be more than just a streaming service. And with other services like Hulu and Amazon also producing and releasing their own films, it’s very likely other studios are going to have to compete with them during awards season. But with the times changing, there are those who would like things to remain the same. At least, in terms of how people should see movies and categorize them.
One of those people is Steven Spielberg. You know, the guy who gave us films like E.T., Jurassic Park, and Schindler’s List. The director isn’t exactly a fan of Netflix’s approach to releasing films, and will now be taking his grievances to the Academy this coming April to talk about how streaming and traditionally released films should be treated. More on the report here below.
As reported by IndieWire, Spielberg says that films like Roma should be viewed as TV movies, considering that the masses saw it on their TV or computer screens in the comfort of their own homes. And there in lies one of the bigger issues he is trying to address: the theatrical experience.
“Steven feels strongly about the difference between the streaming and theatrical situation,” said an Amblin spokesperson. “He’ll be happy if the others will join [his campaign] when that comes up [at the Academy Board of Governors meeting]. He will see what happens.”
But as he tries to rally his troops, filmmakers and actors alike are already speaking out against Spielberg’s cause.
Steven Spielberg is gunning to make sure Netflix never has another Oscars contender like Roma.
Sorry, Mr. Spielberg, Roma ain’t no TV movie – it’s as impressive as anything out there. Platforms have become irrelevant. Make a movie with Netflix. https://t.co/0gvhlYhJs7
Dear @TheAcademy, This is a Board of Governors meeting. And regular branch members can’t be there. But I hope if this is true, that you’ll have filmmakers in the room or read statements from directors like me who feel differently. Thanks, Ava DuVernay. https://t.co/DFBLVWhiJj
As you can see, the topic has become a very heated debate, with The Academy saying “Awards rules discussions are ongoing with the branches. And the Board will likely consider the topic at the April meeting.”
There’s no doubt that Spielberg is a firm believer that movies released in a theater should be the ones considered for Oscars, while films created by and streamed via Netflix should not. While it is a valid argument, we have to consider the degree of difficulty it takes to give audiences a film like Roma. For one thing, director Alfonso Cuaron acknowledges that a black and white foreign language film with no established stars in it would probably not thrive at the box office, making it a hard sell for majors studios to distribute it. Another thing to point out is that general audience members have a profound disrespect to the rules of theaters. They are on their phones during the film or they are talking to someone during the film. Additionally, if there are babies in the theater, the parents don’t even bother to step outside. Then there is the fact that some theaters don’t adjust the quality of the film to fit the screen.
However, the flip side to all of that is that Netflix doesn’t exactly play by the rules themselves. They did give Roma a limited three-week release in theaters before giving it to the masses on their streaming platform. Furthermore, they never released the box office results for it. Not only that, Netflix doesn’t respect the 90-day theatrical window. And because it is available on a website, it means that anyone can access it 24/7.
It will be interesting to see how the Academy responds to all of this come April. Both parties have very valid arguments. But with more streaming services becoming available to the masses, it is only a matter of time for studios to figure out what they need to do to keep the theatrical experience alive.