The Lord Of The Rings – The Return Of The King: Extended Edition Blu-ray Directed by Peter Jackson Starring Elijah Wood, Viggo Mortensen, Ian McKellen, and Sean Astin New Line Home Video Release Date: August 28, 2012
You can read Dr. Geek, Ph.D’s review of The Lord of the Rings: The Motion Picture Trilogy Extended Edition from July 2011 here.
“The battle of Helm’s Deep is over; the battle for Middle-Earth is about to begin.”
In Jean-Luc Godard’s 1965 film Pierrot le Fou the late filmmaking giant Samuel Fuller, a legendary purveyor of uncompromising dramas and adventures that were not afraid of journeying into the darkest realms of the human soul, said, “Film is like a battleground. Love. Hate. Action. Violence. In one word…emotion.” Though he was making a cameo in a movie instead of granting an interview that brief speech perfectly summed up Fuller’s philosophy of cinema, a philosophy that is alive and well in The Lord of the Rings: The Return of the King, the third and final installment in one of the most thrilling epic trilogies in motion picture history.
THIS JUST IN! One of our lucky West Coast readers is about to win a pair of tickets to the Los Angeles, CA premiere of the newest stop-motion effort from LAIKA, ParaNorman! This lucky winner will be attending the glitzy & glamourous L.A. premiere with the stars of ParaNorman, Kodi Smit-McPhee, Anna Kendrick, Leslie Mann, Tempestt Bledsoe, Jeff Garlin, and Tucker Albrizzi.
ParaNorman is premiering in Hollywood, CA this Sunday afternoon, and if you’re the type of geek who can make your own way to/from the the screening, we’re the geeks to provide you with the pair of tickets.
One (1) winner will receive:
One (1) Pair of tickets to the ParaNorman premiere in Los Angeles, CA
Note: This giveaway is open to Los Angeles-based fans that can provide their own transportation to/from this event on Sunday 8/5. Will Call information will be provided to the winners.
Students of the Unusual™ comic cover used with permission of 3BoysProductions
The Mercuri Bros.™ comic cover used with permission of Prodigal Son Press