This week, how Uber is deceiving the authorities, Wikileaks‘ secret trove of CIA hacks, how much is Snapchat worth? Twitch takes on Twitter, using our DNA as near infinite memory storage, and much, much more.

This week on The Drill Down podcast, Tosin and Andy are once more joined by Greg Davies (from TARDISBlend, Blendover, and Heavy Metal Historian podcasts) as we discuss: Gigaom says goodbye, Wikimedia stands up against the NSA, Apple‘s big Spring event, Marvel‘s Daredevil comes to Netflix… You know who ya gonna call!!

This week, Greg Davies from the Blendover and Geeks Of Doom’s TARDISBlend podcasts joins Dwayne and Andrew as we discuss: Facebook fights click bait, the NSA builds a Google to search your records, Amazon buys Twitch, and…is misogyny in games out of control?

Zero Dark Thirty
Directed by Kathryn Bigelow
Written by Mark Boal
Starring: Jessica Chastain, Jason Clarke, Joel Edgerton, Mark Strong, Chris Pratt, Kyle Chandler, Mark Duplass
Columbia Pictures
Rated R | 160 Minutes
Release Date: January 11, 2013

“I’m the motherfucker who found this place.” – Maya (Jessica Chastain)

For over a decade, an elite team of intelligence and military operatives, working in secret across the globe, devoted themselves to a single goal: to find and eliminate Osama bin Laden.

Zero Dark Thirty reunites the Academy Award-winning team of director-producer Kathryn Bigelow and writer-producer Mark Boal (The Hurt Locker) for
the story of history’s greatest manhunt for the world’s most dangerous man.

As I’m sure you’re aware, Zero Dark Thirty features graphic scenes of enhanced interrogation tactics that were implemented by the Bush administration after 9-11, techniques like waterboarding and sexual humiliation that are illegal under international law.

It seems like many political commentators and CIA officials are worried that, by including the dark side of the government’s hunt for Al Qaeda, Bigelow’s film may give viewers the wrong impression: that the brutal interrogation methods are the reason we located Bin Laden’s compound.

That’s simply not the case and anyone who walks out of Zero Dark Thirty with the impression that it takes a pro-torture stance didn’t pay attention to the intricacies of the narrative. Depiction is not endorsement, and if it was, no artist could ever portray inhuman practices; no author could ever write about them; and no filmmaker could ever explore them.