The market for horror comics right now is brutally competitive. With books like Locke and Key, Green Wake, and Rebel Blood reinventing what can be done with a genre, competition is fierce. The Evil Tree, being an independent horror comic published by a small press, faces some challenges when stacked up against titles from Image Comics and IDW Publishing. Which is a shame. Even though The Evil Tree is a by the numbers horror story, this book’s expert writing proves that there is nothing wrong with a good old fashioned ghost story.
At its core, The Evil Tree is a very simple story. It is your standard unsettled ghost haunting the living as a means to eventually rest in peace. This book’s storyline is fairly cut and dry and, in this case, it is perfectly okay. Writer Erik Hendrix seems to understand that sometimes mastering a preexisting story can be more appealing than poorly tackling some high concept horror story. Why try to blow people’s minds by ruminating on the human condition if you can’t even get it right?
FUBAR #2, Empire of the Rising Dead Stories by Jeff McComsey, Benjamin Truman, Shawn Aldridge, Rafer Roberts, Kevin Johnson, Steve Becker, Stephen Lindsay, Jennie Wood, Dominic Vivona, Mark Bertolini, Lonny Chant, Phil McClorey, Matt Kendzior, Kyle Kaczmarczyk, Michael Isenberg, Oliver Mertz, Michael McDermott, Jorge Vega, Timothy Zaprala, Jeff McClelland, Richard Meyers, Helaine Crawford, Eric Spohn, Ronald Montgomery, Mike Imboden
Art by Jonathan Moore, Jeff McComsey, Joe Dunn, Rafer Roberts, Kurt Belcher, Michael Bracco, Daniel Thollin, Jim McMunn, Dominic Vivona, Carl Yonder, Lonny Chant, Jason Copland, Steve Willhite, Rob Croonenborghs, Steve Becker, Jeremy Massie, Aluisio Cervelle Santos, Aluisio Cervelle Santos, Mario Wytch, Richard Meyers, Helaine Crawford, Eric Spohn, James Giar, Shamus McGuigan, Leonardo Pietro, Danilo Beyruth
Letters by Jeff McComsey, Shawn Aldridge, Michael Bracco, Jeff McClelland, Jason Meadows, Chris Horan, Phil McClorey, Rob Croonenborghs, Julie Shelton, Jason Arthur
FUBAR #2, Empire of the Rising Dead is a 200+ page, World War II with zombies, short story extravaganza. Whereas the first issue took place in the European theater, this issue takes place solely in the Pacific theater. It’s all here: Pearl Harbor, Hiroshima, island hopping warfare, geishas, evil Japanese scientific experiments, shark attacks on stranded sailors, and Tuskegee. But, you know, with zombies.
Hello, Do YOU Work Here? Compiled/Designed by Peter Simeti
Story by Various Submissions
Illustrations by Michael Oppenheimer, Kelly Williams, Michael nelson, John Shaver, John Bulmer, Tom Kelly, J. Rozen, Daniel Thollin, Brian Beardsley, John Bulmer, Jeff McComsey, Kelly Williams, Dave Arhar, Kevin Christensen, Bret M. Herholz, Chad Storhl, Steve Black, Michael S. Bracco, Oliver Kirby, Michael Czerniawski, Gary Goodrich, Dave Arhah, Jeremy Massie, Andi Papelitzky, Douglas Draper Jr.
Introduction by Alex Robinson Alterna Comics
Cover Price: $7.99
I spent the summer of 2002 working alone at a local 24-hour convenient store doing the 4pm to midnight shift. On one particularly brutal night my manager got in to relieve me about 10 minutes early.
“Just give me a minute,” she informed me, as she took out her cellphone, “I’m going to check in on my daughter.”
Maggie, my manager’s daughter, was maybe 16, 17 years old and went by the name, I’m not kidding: Magical. This is the side of the conversation that I heard:
Jesus is back and he’s ready for his final showdown with the angel Gabriel and his army of the undead. Yes, Jesus is ready to take on the undead hordes, and he’s brought his pal Abraham Lincoln along with him. Okay, this all sounds crazy, but that’s the best thing about Jesus Hates Zombies featuring Lincoln Hates Werewolves in Yea, Though I Walk Volume 4 (see, even the title is insane).
For a book called Jesus Hates Zombies, this is not nearly as blasphemous as you might think it would be. Writer Stephen Lindsay does not make fun of Jesus; he doesn’t even really make fun of Christians (which would be an easy way for a weaker writer to go). He just wants to tell a goofy but fun zombie story. Sure, it may have a few more religious trappings than other zombie books, but Lindsay’s goal is not really to examine religion. You can tell when a writer is being mean towards religion, and I never get that feeling from this book. This is an action movie, complete with explosions and epic fights.