The Oxford Dictionary defines a flash mob as “a large public gathering at which people perform an unusual or seemingly random act and then disperse.” While these acts seemed to be all the rage a few years ago, they still remain popular for their originality and entertainment value. Disney enters the picture when you consider how many individuals set their YouTube flash mob videos to Disney music – or, in some cases, within the Disney parks themselves.
Here are eight awesome flash mob videos that will make you want to get on your feet and join in!
What an odd and oddly-wonderful Oscars. As the 86th Academy Awards winds down, we reflect on the shocking wins, disappointing losses, and memorably unusual moments. But here we focus on the Disney elements, whether prominent or more subtle, that persisted throughout the show.
Frozen thawed the cooler hearts of some voters, scoring it two wins. And the other Disney nominees? Not so lucky. Yet the influence of the Mouse could be felt throughout the theatre. Let’s analyze Disney at the Oscars 2014.
Saving Mr. Banks was destined to be the first Disney film since perhaps Mary Poppins to accrue countless Oscar nominations across a multitude of categories. Unfortunately, the brilliant drama that explores the roots of how Mary Poppins evolved from page to screen failed to score more than one Academy Award nod. Why so?
This Disney In Depth aims to identify why Saving Mr. Banks may not have resonated with certain critics, despite the warranted buzz it received prior to its release. I also share how Banks should have been recognized at the forthcoming 86th Academy Awards.
Saving Mr. Banks Director: John Lee Hancock
Writers: Kelly Marcel, Sue Smith
Cast: Emma Thompson, Tom Hanks, Paul Giamatti, Jason Schwartzman, Bradley Whitford, Colin Farrell, B.J. Novak Walt Disney Pictures
Rated PG-13 | 125 Minutes
Release Date: December 20, 2013
Directed by John Lee Hancock (The Blind Side), Saving Mr. Banks centers on the life of Mary Poppins author P.L. Travers (Emma Thompson), shifting between 1907 with her childhood in Queensland, Australia, the 1961 negotiations with Walt Disney (Tom Hanks), and the subsequent making of Mary Poppins.
While in California for filming, Travers has flashbacks to her difficult childhood in Australia with her sweet but self-destructive father (Colin Farrell), the inspiration for her story’s patriarch, Mr. Banks.
Some film critics, like the immortal Leonard Maltin, have called Saving Mr. Banks “a charming and heartwarming piece of entertainment, highlighted by a handful of superior performances.” I, on the other hand, would call it a nauseating, sentimental piece of corporate propaganda about an anti-Semite and a very British – and very bitchy – author who may or may not be a crazy person.
The Walt Disney Studios has once again impressed Hollywood with the news that it has topped the $4 billion mark (worldwide) for the first time ever. 2013 saw the releases of numerous tentpole pictures under the Disney brand, including films from Marvel and Pixar. But is this strategy, which appears almost go-big-or-go-home at times, positive?
The numbers tell a story, but so do the quality of the pictures. In many ways Disney beat other studios that suffered from major financial failures (most notably, Sony, which saw disappointing figures for many of its summer releases). But even with one box office bomb (sorry, The Lone Ranger), Disney made major strides. Let us explore what worked, and what could be improved in the future.