A trailer has been released for Phoenix Forgotten, a found footage flick produced by Alien and Blade Runner director Ridley Scott and his Scott Free Productions.
The movie follows a group of friends who set off to document some of the strange things happening after mysterious lights are spotted. It’s based on the real UFO sightings in the skies over Phoenix, Arizona back in 1997, known as the “Phoenix Lights.” The sightings involved two UFOs—one a massive V-shaped object moving across the sky silently, the other a set of lights which did not move—which were reported by thousands of people.
Continue below for more info and to check out the trailer.
I took so many photos during the Hall H panels I attended at SDCC, that I’ve been updating our panel coverage articles with galleries since Sunday afternoon. And I’ve only now just finished processing my final lot of panel photos.
Below are nearly 400 additional panel photos that were taken over the course of my four days in Hall H, including Kingsman: The Secret Service with Colin Firth; the EW Women Who Kick Ass panel; The Maze Runner, the newest film in the Hitman franchise Agent 47; Michael Mann’s Blackhat with Chris Helmsworth; Let’s Be Cops; the newest stop-motion masterpiece from Laika, The Box Trolls; Paris-sewer found-footage horror, As Above So Below; Salma Hayek’s ‘The Raid,’ Everly; and an animated film that was completely off my radar pre-SDCC, but which I am now extremely looking forward to, The Book of Life.
20th Century Fox revealed a load of visual delights on a balmy Friday in the heart of downtown San Diego in Hall H, which indeed was a highlight of many of them during this year’s San Diego Comic-Con.
Thousands of people congregated in the massive hall, with massive screens showcasing such upcoming studio projects of the coolest order — The Maze Runner, The Book Of Life, Let’s Be Cops, Hitman: Agent 47, and Kingsman: The Secret Service.
Students of the Unusual™ comic cover used with permission of 3BoysProductions
The Mercuri Bros.™ comic cover used with permission of Prodigal Son Press