This week’s featured Massive Metal Monday track comes to us courtesy of Metal Blade recording artists Redemption whose new album, The Art of Loss, was released this past Friday February 26, 2016. The song is entitled “Damaged” and features guest guitar work by former Megadeth virtuoso Marty Friedman.
The Art of Loss is the sixth full-length entry in the band’s discography, which dates back to 2003. In addition to Friedman, the album features guest appearances by two other former guitarists for Megadeth, Chris Broderick and Chris Poland, as well as Armored Saint/Anthrax vocalist John Bush.
Redemption is an American progressive metal supergroup that has, at various points in its history, included members of Fates Warning, Symphony X, Agent Steel, Steel Prophet, and Magnitude 9.
It might also be of interest to our readers here at Geeks Of Doom that Redemption founder and guitarist Nick van Dyk is also an executive at video game giant Activision.
If you like this track, be sure to pick up a copy of The Art of Loss, which features over 70 minutes of prog-tastic metal sure to resonate with fans of bands such as Dream Theater, Fates Warning, or Periphery.
When I was growing up in rural Indiana in the early â€™80s, there was very limited access to heavy music. These were the days before MTV blew up with the whole hair metal, Headbangers Ball phenomenon. But on Sunday nights, there was a two-hour radio show that came from WOXY, just across the state line in Oxford, Ohio (home of Miami University of Ohio). It was called Massive Metal for the Masses, and I would wait all week for it to air. It was through this show that I was introduced to bands like Venom, Bathory, WASP, Michael Schenker Group, Slayer, and countless others. This Monday weekly column is my tip of the hat to that show. I call it Massive Metal Monday. Every week, I pay tribute to defining moments by the artists that laid the groundwork for heavy metal to become the worldwide cultural bond for all of us metal heads, as well as current artists who are shaping the future of the genre.