| Ranking Quentin Tarantino’s Filmography and Its Best Moments |
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Quentin Tarantino is the most influential American filmmaker of the past quarter century. A passionate lover of so many classic genres, Tarantino has spent 30 years re-inventing and combining those genres into modern films for modern audiences all while infusing a dialogue style never heard before and oft-imitated since. His movies are violent, loud, feature colorful language, and above all else, they’re just plain cool. Technically, his directorial debut was My Best Friend’s Birthday from 1987, but only 36 minutes of that project exists. His first official film was 1992’s Reservoir Dogs, and he wrote gangster True Romance and a draft of Natural Born Killers before hitting the stratosphere with Pulp Fiction in 1994. With the recent release of Once Upon a Time… in Hollywood, Tarantino officially has 9 feature films he’s both written and directed on his resume (when we count Kill Bill as one movie, which they do on the poster for the Once). And since rankings and lists are always fun, I’m going to countdown Tarantino’s filmography in order from worst to best, along with a mention of each entry’s Best Moment.
...continue reading » Tags: Death Proof, Django Unchained, grindhouse, Inglourious Basterds, Jackie Brown, Kill Bill, Once Upon A Time In Hollywood, Pulp Fiction, Quentin Tarantino, Reservoir Dogs, The Hateful Eight | |
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| Real Fake History: Kill Bill: Massacre At The House Of Blue Leaves
My latest YouTube addiction is Machinima’s Real Fake History. Even the opening introductory video is perfect, combining war footage with major scenes from action films/TV shows like Pacific Rim, The Avengers, and Game of Thrones. After introducing their History Channel inspired faux documentary series with Star Wars: The Battle of Endor, they actually upped my geek-fueled fervor by tackling Quentin Tarantino (my all time favorite director), and taking on Kill Bill Vol. 1‘s Battle at the House of Blue Leaves… which you may remember features The Bride (Uma Thurman) taking on the Crazy 88 gang of Oren Ishii (Lucy Liu). Definitely watch the video below.
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| Comic Review: Shotgun Wedding |
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Shotgun Wedding
Written by William Harms
Illustrated by Edward Pun
Lettered by Troy Peteri
Cover by Edward Pun
Top Cow Productions, Inc.
Release Date: April 2, 2014
Cover Price: $3.99 Never, ever leave your fiancée at the altar, especially if she’s a trained assassin. In Shotgun Wedding, a new four-issue weekly mini-series event from Top Cow, writer William Harms and illustrator Edward Pun serve up a bitterly cold plate of revenge. Like the famous play The Mourning Bride by playwright William Congreve says, “Heaven has no rage like love to hatred turned, nor Hell a fury like a woman scorned.” When international hitman Mike Stone leaves his partner and fiancée, Chloe, on their wedding day, Chloe plans a devastating course of retribution, not only with Mike as the focus, but also his loved ones. Years later, Mike is set to marry again, this time to a woman who believes him to be a simple antiques dealer. When Chloe finally catches up to him, she’s ready to unleash a wrath the likes of which no one could ever prepare for – and she’s not working alone.
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| Quentin Tarantino Won’t Be Making ‘Kill Bill Vol. 3’ Apparently
Quentin Tarantino is well known for spouting off ideas for movies he would like to make or see made but never come to fruition, but when he becomes devoted to making a particular film, he tends to see it through from writing the script longhand on yellow legal pads to the eventual theatrical release. He had developed Inglourious Basterds for most of his directing career until it was finally released to great acclaim and fantastic box office in the summer of 2009. He also came up with the idea for what would become his genre-hopping revenge epic Kill Bill during a late night bull session with Uma Thurman (who would star in Kill Bill 1 & 2 as the vengeful assassin the Bride) on the set of Pulp Fiction. The movie was released in two parts in October 2003 and April 2004 and was also a huge critical and financial success for the energetic filmmaker.
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