Jaws, which remains one of the (pun intended) high water benchmarks in the history of Hollywood, and is one of the scariest, sharply written, directed, acted, and not to mention edited films ever created, celebrates its 40th birthday today.
There are so many genres which owe tips of the hat to this film, what it has done to the pop cultural landscape, the standard it has set for the contemporary modern thriller, the blueprint for aquatic water thrillers, not to mention solidifying the career of Steven Spielberg, who made this film just he was creeping into his 30th year. Coupled with the powerhouse acting triad of Roy Scheider, Richard Dreyfuss, and Robert Shaw, and the memorable and now Hollywood folklore two-note heart-stopping theme by John Williams, there isn’t really much left to say about Jaws that hasn’t already been written, scrutinized, dissected, and most importantly, enjoyed by countless generations. But yet, despite all of this, Jaws still has plenty to say in all four corners of what it is and what it remains.
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