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The GoD List: Comics For December 13, 2011
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Hunter Camp   |  
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Each and every week “Henchman24″ MK2Fac3 and “Dr. McDavid” Henchman21 read a lot of comics. Seriously you guys, a lot of comics. Maybe too many comics. I mean, it is possible”¦ theoretically. They look forward to some more than others, I mean, who doesn’t? So, let’s take a look into the depths of their pull lists, grab some comics, and we’ll let YOU know what the top books to look forward to are for the week of December 14, 2011. Single issues and trades, they’re all here.

The collective “HenchFac3” attempts to bring you the knowledge of the latest and greatest comic books that are being released each and every week. Now, unfortunately, the situation does not always play out in the manner in which we have anticipated. Sometimes, we pick absolute flops. Sometimes we pick books that don’t even ship that week. And sometimes, we pick the same comic every month. We’re not theoretical physicists, and as much as MK2Fac3 wants you to believe that he’s Batman, he’s totally not. He cannot prepare for any and all eventualities. But more often than not, we pick some really good books. And while our track record does not garner us a perfect score, I think that if you pick up this week’s books, you’ll be more than impressed with our choices. For we are “The HenchFac3,” and this, well this is The GoD List.

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The GoD List: Comics For October 12, 2011
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Henchman21   |  @   |  
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GoD List Banner

Each and every week “The Spider” Henchman21 and “The Microwave” MK2FAC3 read a lot of comics. Seriously you guys, a lot of comics. Maybe too many comics. I mean, it is possible”¦ theoretically. They look forward to some more than others, I mean, who doesn’t? So, let’s take a look into the depths of their pull lists, grab some comics, and we’ll let YOU know what the top books to look forward to are for the week of October 12, 2011. Single issues and trades, they’re all here.

The ‘Wave is busy traveling to New York Comic-Con, so he’s a little preoccupied this week, what with packing his Batman costume and making sure he has enough Batarangs with him so he can fight crime on the streets of the real Gotham city, so it’s just your friendly neighborhood Henchman this week (I’m already stationed here in NYC for the week). “Wavey Gravy” does want to make sure you know about The All-New Batman: The Brave and the Bold #12, out this week featuring a team-up with Zatanna. Because it wouldn’t be a GoD list without MK talking about a Batman comic. Here are a few books I am looking forward to this week.

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‘Red’: Top 3 Differences Between The Comic Book And The Movie
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Empress Eve   |  @   |  
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Red - comic to movieIn honor of the new Bruce Willis movie Red, which was released in theaters this past weekend, I recently went back to read the DC comic book series Red created by Warren Ellis and Cully Hamner, from which the film was adapted.

Both the comic book and the movie center around Frank Moses (Willis’s character), a retired CIA agent who’s thrust back into the world of danger when he’s attacked by highly trained unknown assailants. The over-the-hill action-comedy film brought out the older generations to the theater in droves, thanks to the change in the story’s overall tone (from serious to light-hearted), as well as (in my opinion) the creation of Helen Mirren‘s character Victoria, another retiree whose sexy looks and stellar aim with a sniper rifle probably make her the most lethal of the bunch.

There were quite a few differences between the movie and the 3-issue miniseries, mostly in the addition of new characters — played by Morgan Freeman, John Malkovich, and Brian Cox — as well as alternations to the Frank Moses character and his situation, along with plenty of deviations from the original story.

Here’s the Top 3 differences between the film and the comic book.

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SDCC 2010: Summit Entertainment’s ‘Red’ Panel
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Mr. BabyMan   |  @   |  
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Week of Geek: San Diego Comic Con International 2010

SDCC 2010: RED PanelBeing familiar with the Warren Ellis original property, I was curious going into the panel for Summit Entertainment’s Red to see how far the tone of the film was going to change from the dark, violent graphic novel to the lighter blackly comic adaptation.

Moderator Eric Mora, Editor in chief of IGN Movies, introduced original Red comic creator Warren Ellis, artist Cully Hammer, producer Lorenzo Di Bonaventura, and actors Karl Urban, Mary-Louise Parker, Helen Mirren, and Bruce Willis to the panel.

Bruce Willis praised the work of his co-stars, Mirren noted that with her and Morgan Freeman that they had both “the Queen and God” in the film, as she sported a Harvey Pekar memorial sweater. Warren Ellis noted that his motivation for allowing his property to be adapted was “lots of money… I could buy most of you now.” He wanted the producers to roll with the film in whatever direction they wanted.

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Comic Review: Detective Comics #861
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Henchman21   |  @   |  
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Detective Comics #861Detective Comics #861
Written by Greg Rucka
Art by Jock
Co-feature Art by Cully Hamner
Cover by JH Williams III
DC Comics
Price: $3.99; Release date: January 27, 2010

JH Williams III became one of my favorite artists last year when he was brought on board Detective Comics (along with writer Greg Rucka), bringing with him his impressive layouts and a highly photo realistic style.

With Detective Comics #861 Jock takes over for Williams on art detail, bringing a very different dynamic to the art. The two have radically different styles, with Jock having a much more angular style. He doesn’t have the way with the intricate layouts that Williams does, but he adds grit to the issue that Williams doesn’t have. Jock’s has an economy of line, and the coloring adds a very expressionistic angle to the art. If you’re used to his art, and enjoy it as I do, the change will not be as much of a bitter pill to swallow, but if you’re looking for a style similar to Williams III, you may not enjoy the change as much.

A new storyline starts in this issue as Batman and Batwoman are tracking down the same case in two different eras and I’m assuming we will see how they are connected at some point, but as when Williams was drawing it, the star here is Jock’s art. He has a great way of projecting the mood of the scenes.

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