It’s all about getting the exclusive stuff at San Diego Comic-Con, and 2018 is no different from any other year. And the people at Mondo will be selling some pretty cool prints. From Jurassic World to other exclusive items you cannot get anywhere else.

Now they’ve released a small preview of some of the other items they will sell, and if you are a fan of either Avengers: Infinity War or Drive, or both, you are in for a treat. Check out the posters that they will be selling celebrating both movies, below.

The $11 t-shirt deal of the day over at TeeFury today is a mash-up of Star Wars and Drive called “Rebel” by DJKopet.

The sale began at Teefury today, Monday, February 17, 2014, at midnight EST, and will continue for 24 hours from then, and once it’s over, it will not be sold on the site for $11 anymore, though it will continue into the next day for $14 (look for the After Hours bar at the top).

Drive
Netflix Streaming
DVD | Blu-ray
Directed by Nicolas Winding Refn
Starring Ryan Gosling, Carey Mulligan, Bryan Cranston, Christina Hendricks, Ron Perlman, Oscar Isaac, Kaden Leos
FilmDistrict
Originally Released: May 20, 2011

Let me just begin this article by pointing out the final paragraph of this post is the most important of the review.

Featuring Ryan Gosling amidst an impressive cast, the Nicholas Winding Refn-directed Drive is one of those rare films that become immediate classics. While touting some action and crime thriller material, the film is essentially a character study, with extraordinary technical work and some significant symbolism – all of which when combined demand your attention throughout the entire movie.

Drive focuses around an unnamed protagonist known only as The Driver, who leads a life of dichotomy involving cars – working as a mechanic and stunt driver by day, but by night works as a getaway driver for criminals in Los Angeles working heists. Moving to a new apartment, he lives next door to neighbor Irene (Carey Mulligan) and her son Benicio (Kaden Leos). The three develop a new friendship that seems to put The Driver onto a new passageway in life.

I never thought a crime drama with Ryan Gosling as a convincing badass and Albert Brooks as a cold-blooded mobster – and both men capable of doing some serious damage to another person without a millisecond’s hesitation – would ever exist anywhere outside the imagination of a deranged lunatic who is clearly unfamiliar with the time-honored Hollywood axiom “cast to type.”

But last year’s Drive, which was originally intended to be a big-budget formula action flick with Hugh Jackman in the lead, came out of nowhere to shatter expectations in a way that was as quick and brutal as how Gosling dispatched that one guy in the elevator scene that has now become a classic movie moment. It wasn’t a massive hit, but most of the people who saw it agreed that it was of 2011’s best films, and it even inspired the single goofiest lawsuit taken out against a movie in some time.

Cinema in 2011 saw the strikingly bold creation of the universe, as well as an artistic rendering of the universe coming to its bleak annihilation. Audiences were strung along decimated battlefields torn apart because of war, just as they were strung along corridors and offices only to encounter a few decimated souls of Wall Street executives emotionally torn thanks to the realization of a looming stock-market debacle. Trying to escape reality, whether it was by taking cover in an underground tornado shelter, a trip to a Hawaiian resort or engaging in a cult that promises enduring happiness, proved to be an impossible task. Individuals even went to such a distance where they would lock themselves in an octagon cage, attempting to beat the senses out of one another in order to become numb to reality. Reality imperceptibly arrives at our doorstep thousands of times faster than a Formula 1 racecar. Running from it is futile. We have to be fearless and self-sufficient, like Cistercian monks or a taciturn driver with an unruffled spirit.