The film Hanna, starring Saoirse Ronan and Eric Bana, was released in theaters earlier this month, and in conjunction, were here at Geeks of Doom have two separate Hanna prize packs to give away to some lucky readers, which include an autograph poster and the soundtrack by The Chemical Brothers!

One (1) winner will receive the following prize pack [image above]:

“¢ Unisex T-shirt
“¢ Grey Hooded Sweatshirt
“¢ Skullcandy Earbuds
“¢ Micro Fiber Cloth
“¢ Bumper Sticker
“¢ Dropcard to download the full album
“¢ Autographed movie poster (signed by Saoirse Ronan & Eric Bana)

One (1) winner will receive the following prize pack:

“¢ Hanna sweatshirt
“¢ Hanna t-shirt
“¢ Hanna poster
“¢ Hanna Soundtrack on limited edition 180g vinyl
“¢ Hanna Soundtrack CD

TO ENTER: There’s just two simple steps:

(1) Make sure you’re subscribed to the Geeks of Doom email digest. If you’re not then click here and sign up. (If you’re already a subscriber, then go right to the next step.)

(2) Fill out the entry form here below and submit. (Form is here after the jump.)

Good luck!

Hanna
Directed by Joe Wright
Starring: Saoirse Ronan, Eric Bana, Cate Blanchett, Tom Hollander
Release Date: April 8, 2011

Hanna is an unabashed action picture that is immediately striking and bold and extremely outlandish in its material. But let us get introduced to director Joe Wright. He knows how to fill his screen with dazzlingly poetic images that have the tendency to make our hearts melt. Just reference his previous films, Pride and Prejudice and Atonement. Completely removed from the conditions in which he feels most comfortable, Wright’s departure for action and brutal violence may seem like an awkward position for him after his pleasantly romantic films. But in his newest feature, Hanna, written by Seth Lochhead and David Farr, Wright shows a significant increase in ability when he laces the beautiful with shuddering images of viciousness. Instead of trivializing violence with imprecise material and ineffective scenes, the film expresses all of its complexities, mechanisms, and emotions in a rock-n-roll kind of way (thanks to a hypnotic score by The Chemical Brothers) through exotic and bizarre locales.

In a way Wright personifies violence. Of course this kind of attachment to violence is constantly reproached in cinema. Only a few films find it ripe for artistic exhibition (No Country for Old Men and A Clockwork Orange). And instead of these rare movies leaving us with painful memories, they blissfully torment us because behind all the carnage they present to us (and it is a lot of carnage), after looking past it, there remains a lesson to be learned, one that weighs on us like a nightmare.