Directed by Christopher McQuarrie
Written by Christopher McQuarrie
Starring: Tom Cruise, Rosamund Pike, Robert Duvall, Werner Herzog
Rated PG-13 | 130 minutes
Release Date: December 21st, 2012
Written and directed by Christopher McQuarrie, Jack Reacher is based on Lee Child‘s 2005 novel, One Shot.
When a gunman takes five lives with six shots, all the evidence points to suspect James Barr (Joseph Sikora), an ex-Army sniper with a history of violence.
During interrogation, Barr offers up only a single note: “Get Jack Reacher.” Enter Reacher (Tom Cruise), a drifter and former Military Police Officer who makes it his business to right wrongs and be an all-around bad-ass.
Working as an investigator for Barr’s defense attorney, Helen Rodin (Rosamund Pike), Reacher begins to unravel a case involving a hired killer and a Russian known only as “The Zec,” played by German director Werner Herzog (Aguirre: The Wrath of God, Grizzly Man).
Herzog is perfect for the role: the director has made a career out of muttering about death and the chaotic indifference of nature, so it’s only natural his character would order a low-level thug to bite off his own thumb or get shot in the head. I imagine Herzog acts completely the same when working with actors or documentary subjects.
Jack Reacher is an above-average crime thriller from another era. It feels like ’40s pulp noir at times, with hard-boiled dialogue and staff action sequences including an impressive car chase straight out of ’70s cinema. Cruise, as always, is able to convince the audience that he is who he says he is. By doing all of his own stunts, Cruise inhabits his roles in the way that few Hollywood stars can.
Jack Reacher is a mix of Drive, The Bourne Identity, and Mission: Impossible – with a touch of Batman Begins as Reacher disarms thugs with bone-breaking elbow thrusts. What separates McQuarrie’s film from the rest, however, is some inspired cinematography by Caleb Deschanel (Killer Joe).
Deschanel creates an agonizingly tense opening sequence that would make Hitchcock proud. We witness the crime through the killer’s crosshairs. By forcing the audience to accept the perspective of the killer, we see every detail of the act – and when the gunman breathes in to steady his aim, we hold our breath as well.
McQuarrie and Deschanel show us something that Lee Childs doesn’t in his book: the face of the killer is different than the man in custody. James Barr has been framed for reasons we don’t understand – and Jack Reacher is the only man who can clear his name. Refreshingly, the film takes its time laying out the groundwork as far as characters and conspiracies are concerned, making for a rather engrossing whodunit and another solid starring vehicle for Cruise.
While co-stars Rosamund Pike, Robert DuVall, Richard Jenkins, and David Oyelowo turn in entirely solid, entertaining performances, it’s Cruise and Herzog who make the biggest impression as true survivalists who live by a different code. Jenkins plays the District Attorney, attempting to prosecute Barr while Pike plays the sniper’s defender – who just so happens to be the D.A’s daughter. It’s an interesting twist, forcing the viewer to consider the ramifications of conspiracy and behind-the-scenes politics while Cruise takes his shirt off and beats the crap out of people.
Jack Reacher isn’t the slow-burn espionage film that Tinker Tailor Soldier Spy is, nor is it the balls-to-the-wall action flick that Jason Statham has made a career of – but it is a smart pulp thriller from another era, more akin to Steve McQueen’s Bullit than modern shoot ’em ups.
If you dislike Tom Cruise, I doubt Jack Reacher will change your mind – but for those who buy into the star’s charisma and commitment to his roles, Reacher is a solid popcorn movie during a holiday season filled with depressing musicals and foreign dramas.
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Justï»¿ going to comment so no one can do the dreaded thing that always happens.
Comment by Viewster — December 26, 2012 @ 8:56 am
I disagree with some parts of this. I think the twists in this film would’ve been seen coming from several miles off by anyone who’s watched enough crime shows. Only this took 130 minutes of weird slut-shaming and Tom Cruise being “intense” instead of 40 minutes of solid police work. The scene where Reacher tells Helen about the evidence being too perfect was delivered too intensely and received with too much shock for such an obvious plot point. It just seemed silly. In my opinion, at least.
Comment by Redline — May 26, 2013 @ 2:51 pm