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Movie Review: Hugo
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Hugo movie posterHugo
Directed by Martin Scorsese
Starring Asa Butterfield, Chloe Grace Moretz, Ben Kingsley, Sacha Baron Cohen, Christopher Lee, Ray Winstone, Helen McCrory, Emily Mortimer, Jude Law
Release Date: November 23, 2011

 
Martin Scorsese encounters no intense turmoil as he thwarts his inner urge to make another violent picture and involves himself with a luminously adventurous 3D film that has a little orphan boy at its center, as well as an immense homage to cinema. In one of the most inventive films of the year, Scorsese’s Hugo is an indelible delight that is meant to enchant audiences of every age. The way he uses this immersive 3D technology is enchantingly beautiful, bringing a distant world and all of its once unexplored recesses into our immediate presence.

Even those ardent followers of Scorsese’s genius will find visible evidence of his personal life and his previous films, all in which reverberate throughout Hugo. But what has to be realized is that this film could have only been brought to life by a man who harbors an infinite understanding of and an appreciation for the realm of cinema.

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Blu-ray Review: (500) Days of Summer
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Three-D   |  
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(500) Days of Summer Blu-ray DVD(500) Days of Summer
Blu-ray Edition
Directed by Marc Webb
Starring Zooey Deschanel, Joseph Gordon-Levitt
Fox Home Entertainment
Release Date: December 22, 2009

The omniscient narrator declares that what we are watching is not a love story, but a story about love. An odd little twist that brings a kind of assurance and authenticity to (500) Days Summer. Once this statement is solidified early on in the film it makes us view the movie in a slightly different way and rightfully so. An original narrative technique is what the film has going for it. It disregards a linear story line but never capitalizes on the true potential the script really has. Many films use discombobulated narratives that are fragmented and dislocated to resemble the emotions its characters are feeling. The split screens and split narratives are too much imbued within stylistic ploys, making each scene that carries these fashionable devices incompetent and never availing.

Screenwriters Scott Neustadter and Michael H. Weber, along with the innovative mind of director Marc Webb, may have dislocate the narrative a tad too much and haven’t peered thoroughly enough into the emotional angst of Tom (Joseph Gordon-Levitt), a greeting card writer, who is in love with Summer (Zooey Deschanel), his coworker. This is Tom’s story he tells to his two friends and little sister, in a way that isn’t chronological, his mishaps and successes he has experienced with Summer throughout the 500 days he believed he loved her.

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