Tim Miller may not have come back to direct Deadpool 2, but he isn’t exactly done with the X-Men world.

That’s because the filmmaker is developing a Kitty Pryde film, following one of the youngest members of the X-Men, who has powers to phase through objects. But how will the film be affected by Disney’s acquisition of Fox? Find out more on the story below.

Ridley Scott is a man who never takes breaks, and as such, he is always adding titles to his pile of films that are slated to be made. He proved himself to be a tireless filmmaker when he finished reshooting All The Money In The World after having to cut Kevin Spacey out of the film and replacing him with Christopher Plummer. Scott spent nine days effectively erasing the disgraced Spacey out of the film and substituting his scenes with that of Plummer’s. So as we wait to see what Scott has in store for us next, the director looks to be adding to his filmmaking slate with Disney.

According to new reports, Scott will be collaborating with Disney to work on an adaptation of The Merlin Saga, which centers on the legendary wizard’s early years before he became the advisor to King Arthur. More On the story below.

On this week’s Drill Down podcast, Net Neutrality is down but perhaps not out yet, Disney buys Fox (and The Simpsons called it), Facebook admits it’s bad for you, gene therapy to restore sight and hearing… and much more.

Recently we saw some images from Disney’s upcoming adaptation of author E.T.A. Hoffmann‘s 1816 story The Nutcracker and the Mouse King, titled The Nutcracker and the Four Realms.

The movie stars Mackenzie Foy, Helen Mirren, Keira Knightley, Morgan Freeman, Jayden Fowora-Knight, and Misty Copeland, and is directed by Lasse Hallström (What’s Eating Gilbert Grape, The Cider House Rules).

Now a teaser trailer has been released for The Nutcracker and the Four Realms. You can check it out below, along with a synopsis and a recently released motion poster.

SPOILERS for Star Wars: The Last Jedi…

When last I wrote about Star Wars, it was late 2015. I’d seen a screening of The Force Awakens, and I left the film feeling pumped. It’d been ten years since any of us had seen a Star Wars film on screen, and while 2005’s Revenge of the Sith was probably the very best of the prequel trilogy, I’d left that film somewhat disappointed – it just wasn’t the unqualified space opera tragedy I was looking for.

The Force Awakens, however, ticked off all of the boxes in the theater:

– Fast-paced
– Fresh, new characters
– Surprisingly heart-warming performances
– Suspense
– Fantastic effects
– Action Action Action