Yesterday, we got a first look at Melissa McCarthy upcoming comedy feature The Boss in a sneak peek of the trailer, as well as the first poster and images.

Now, the full trailer has been released! Watch it here below.

The trailer premiered late last night during ABC’s broadcast of Jimmy Kimmel Live, on which McCarthy was a guest.

American Horror Story: Freakshow
Season 4 Episode 2: “Massacres and Matinees”
Directed by Alfonso Gomez-Rejon
Written by Ryan Murphy and Brad Falchuk
Starring Jessica Lange, Sarah Paulson, Frances Conroy, Evan Peters, Kathy Bates, Angela Bassett, Michael Chiklis, Denis O’Hare, Emma Roberts, and Finn Wittrock
FX
Air Date: Wednesday, October 15, 2014, 10pm

From the nightmare house, to the Asylum to a witch’s coven, you never know what you’re going to get on FX’s American Horror Story. Season 4 welcomed us to Jupiter Florida circa early 1950s introducing us to Elsa Mars (Jessica Lange), who has just found the new headliner (or should we say double headliner) for her Freakshow. Sarah Paulson plays Siamese sisters Dot and Bette Tattler, Bette longing to be a star while Dot longing to be left alone. Among the other strange and interesting characters we meet are Ethel, the Bearded Lady (Kathy Bates), and Jimmy “Lobster Boy” Darling (Evan Peters).

There will be spoilers below, so proceed with caution!

American Horror Story: Freakshow
Season 4 Episode 1: “Monsters Among Us”
Directed by Ryan Murphy
Written by Ryan Murphy and Brad Falchuk
Starring Jessica Lange, Sarah Paulson, Frances Conroy, Evan Peters, Kathy Bates, Angela Bassett, Michael Chiklis, Denis O’Hare, Emma Roberts, and Finn Wittrock
FX
Air Date: Wednesday, October 8, 2014, 10pm

No network pushes the bounds of television like FX. Whether it’s the uber-realism of Sons of Anarchy or the low-brow hijinx of the gang from Paddy’s Pub in It’s Always Sunny in Philadelphia, FX has cornered the market on extreme cable TV, giving viewers premium shows without the premium prices of HBO and Showtime. In 2011, American Horror Story joined the lineup and immediately caught on with the growing TV horror craze giving FX a competitor to HBO’s True Blood and AMC’s The Walking Dead. The difference can be summed up easily: American Horror Story is genuinely and purely terrifying.

What makes AHS unique is that it is the first and, to my knowledge, only show in TV history to begin and end a specific story during a season, and then bring back nearly the entire cast in a totally new genre concept each season. From season 1 till now, the series has set itself apart with its ability to push the boundaries on sexuality and violence. It also makes use of phenomenal acting, tremendous score (always a must in the horror genre), and stunning visuals (the leather-suited man springs to mind).

Road trip comedies aren’t entirely original, although the characters try to make each and every adventure their own. Melissa McCarthy will be starring in her very own road trip comedy, directed by her husband, Ben Falcone. In it, McCarthy plays as a recently fired fast food employee who finds out that her husband has been cheating on her, and her only method of coping is to go on a road trip with her grandmother (Susan Sarandon).

Again, not completely original, but the star power is there, which give us some hope that it will be at least a mild success. Hit the jump to see the trailer.

Titanic
3D presentation
Directed by James Cameron
Starring Leonardo DiCaprio, Kate Winslet, Billy Zane
Rated PG-13
Release Date (3D Version): April 4, 2012

I’ve now officially contributed twice to the highest grossing motion picture in history.

I had the opportunity to go out to the movies the other night, and I had a lot of choices, including a remake of 21 Jump Street I’d heard was quite funny, and a reunion sequel to American Pie, but my decision in the end was determined by a film whose experience I couldn’t replicate at home: James Cameron‘s 3D post-conversion of Titanic (1997).

The last time I saw Titanic was in the theaters fifteen years ago. It’s not that I hadn’t enjoyed it; I had always meant to see it again. I’d even picked up a DVD at one point (okay, so I contributed thrice), but I’d never unwrapped it. My recollection of it was that it was technically brilliant, but flawed in many ways. I just never felt that compelled to revisit it. Cameron’s year-long, $18 million 3D conversion gave me a good excuse to do just that.