Flight
Directed by Robert Zemeckis
Starring Denzel Washington, Don Cheadle, Kelly Reilly, Nadine Velazquz, John Goodman, Bruce Greenwood, Garcelle Beauvais and Justin Martin
Release Date: November 2, 2012

A mystical and unflagging perseverance allows airline pilot Captain Whip Whitaker (Denzel Washington) to crash-land a malfunctioning airline jet in an open field. It is evidenced that he is talented as a pilot. It is his calmness, though, that is most glaring and jarring. Remaining unshaken by the catastrophe he finds himself in, Whitaker is not self-deluding when he projects a demeanor that is reminiscent of a great Greek God. He constantly signals out demands that he needs from his crew, all of whom respond but with immense dread. But he remains calm, almost as if he knows he is not going to die. Each of the 102 people onboard his plane are all thrown into an uncontrolled panic as well. All of them are expecting death and six of them eventually will die. As the plane continues its descent, Whitaker becomes more resilient, more inspired and cockier, almost as if he is scoffing at imminent death.

Flight
Directed by Robert Zemeckis
Written by John Gatins
Starring Denzel Washington, Kelly Reilly, Don Cheadle, John Goodman, Bruce Greenwood, Melissa Leo
Paramount Pictures
Rated R | 139 Minutes
Release Date: November 2nd, 2012

Airline captain William “Whip” Whitaker (Denzel Washington) wakes up in a hotel room with flight attendant Katerina Marquez (Nadine Velazquez, FX’s The League).

Amidst a landfill of empty glass bottles and crushed aluminum cans, Whip smokes a joint and downs the half-empty bottle of beer on his nightstand.

Katerina navigates the wreckage, casually searching for her clothes. Her perfect nude form tip-toes around the room as Whip gets his bearings. Hungover from a sleepless night of sex, drugs, and reckless room service abuse, the still-drunk Whip opens his bloodshot eyes, rolls up a $100 bill, and snorts a couple lines of coke to shake the cobwebs.

Seconds later, Whitaker is a sharp-dressed man in his pilot uniform, strutting through the airport. Scheduled to commandeer a commercial aircraft from Orlando to Atlanta this morning, the captain takes his seat behind the controls with rookie copilot Ken Evans (Brian Geraghty). Whip chases black coffee and aspirin discreetly with vodka and orange juice and lets Evans fly the plane while he takes a nap.

Near Atlanta, the plane enters a steep dive, jolting Whip awake. After exhausting all other options, the liquored-up Whip rolls the plane into an inverted position (flying upside-down) to bring it out of the nosedive, then maneuvers the plane right-side up just before crash-landing in a field. The media hails Whitaker as a hero (reminiscent of Capt. Sully Sullenberger), but there’s the troubling matter of a toxicology report that, if made public, could ruin Whitaker’s heroic reputation.

When a classic film franchise’s prospects of returning to the big screen have forever dried up, its creators look for any remaining possibility of milking every last cent from the property’s dormant viability. So it doesn’t surprise me in the least that the 1985 sci-fi comedy blockbuster Back to the Future might be the latest beloved film of my youth to be resurrected as a Broadway musical.

Everyone and their mothers want to cash in on the current comic book craze within the film world.

THR is reporting that Universal, Robert Zemeckis, and writer Evan Spiliotopoulos are set to bring the comic book Fort: Prophet Of The Unexplained for a film entitled Charles Fort.

Mars Needs Moms
4–Disc Blu/3D/DVD/Digital Combo I 2–Disc Blu/DVD Combo I DVD
DIRECTOR: Simon Wells
WRITER: Simon Wells, Wendy Wells
STARRING: Seth Green, Seth Robert Dusky, Dan Fogler, Joan Cusack, Elisabeth Harnois, Mindy Sterling, Tom Everett Scott, Kevin Cahoon
Walt Disney Studios Home Entertainment
RELEASE DATE: August 9, 2011

Having the very unfortunate disposition of costing $150 million to make, and only bringing back $38 million worldwide in return, Walt Disney’s Mars Needs Moms can be considered one of the biggest flops of all time…and that, my friends, is not a good thing to have hovering over you. But is the movie really as bad as this monumental flop indicates, or are there redeeming qualities worth seeking out?

The movie follows Milo, (performance captured by Seth Green, voiced by Seth Robert Dusky), a normal everyday boy who has a bit of an argument with his mother (Joan Cusack). As most boys would, he feels badly about snapping at her with some very unkind words, and proceeds to go and apologize. But when he reaches her bedroom, a strange bright light is making its way through the bottom of the door, and he goes in to check out what it is. When he enters, he sees some sort of craft zooming away, and, realizing his mom is gone, runs after it only to find a spaceship, which he sees has taken his mother.