Shootin’ the Sh*t with Kevin Smith
The Best of Smodcast
By Kevin Smith
Titan Books
389 pages
US $14.95/CAN $18.95
“I’m telling you man, I’ve said it before, I’ll say it again- I am really am one cock shy in the mouth of being gay.”
I’m a huge fan of Kevin Smith and his films. I was first introduced to the man’s work back in early 1995 when, after hearing nothing but raves about how it was the funniest film of the previous year, I took a chance on renting his directorial debut Clerks from the video store down the street from my house. Raw, naturalistic, shot in grainy black-and-white like it was recorded straight off a convenience store’s security camera, and joyfully vulgar and funny as a motherfucker, Clerks was my first official introduction to the world of independent film and a brilliant new voice of cinematic comedy. I’ve been hooked on Smith’s films ever since, and yes even Jersey Girl had its share of memorable moments. What attracted me to the cinema of Kevin Smith was his gift for crafting bold and colorful characters through profane but hilarious dialogue that revealed their innate intelligence and vulnerability. Next to Quentin Tarantino and the writing staff of Seinfeld Kevin Smith was the best at turning convoluted conversations about pop culture and sexuality into windows into the souls of unconventional characters who would typically be sidelined in a conventional Hollywood feature.
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