Perhaps no other genre of film is more dependent on great music than horror. Think of Jaws without John Williams. Think Psycho without Bernard Herrmann. Imagine The Exorcist without Tubular Bells. In the last 40 years no one has had a bigger impact in genre filmmaking than John Carpenter, and one of the distinguishing characteristics of his films are the scores, many written and performed by the Master of Horror himself. Thursday night at Terminal 5 on the west side of Manhattan; with Christine, the sleek red Plymouth Fury, parked outside, fans packed in to watch and listen to the acclaimed horror director perform themes off his new album Anthology: Movie Themes (1974-1998).