| Dark Horse Comics Releases For December 30, 2015Below you’ll find the solicitations information and cover artwork for all of Dark Horse Comics comic book titles released on December 30, 2015. My personal favorite is Conan The Avenger #21, as it’s a classic work that showcases what it means to be a Cimmerian barbarian. Hope you all have a HAPPY NEW YEAR!
...continue reading » Tags: Andy Owens, Blood-C, CLAMP, Colder, Conan The Avenger, Dark Horse Comics, Fred Van Lente, Glass Mantis, John Arcudi, Jose Luis, Juan Ferreyra, Lobster Johnson, Michael Atiyeh, Mike Mignola, Paul Renaud, Paul Tobin, Ranmaru Kotone, Robert E. Howard, Tonci Zonjic, Toni Fez, Toss The Bones | |
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| Dark Horse Comics Releases For December 2, 2015
Below you’ll find the solicitations information and cover artwork for all of Dark Horse Comics comic book titles released on December 2, 2015. My personal faves this week are Mystery Girl #1 and This Damned Band #5!
...continue reading » Tags: Adam Hughes, Alberto Alburquerque, Andy Owens, Angel & Faith, Anthony Palumbo, Barb Wire, Bill Morrison, Black Ops 3, Black Ops III, Call of Duty, Chris Warner, Christopher Golden, Corinna Bechko, Countless Haints, Cullenn Bunn, Dan Jackson, Dave Stewart, David Lapham, David Palumbo, Dead Vengeance, E. M. Gist, Frozen Omen, Glenn Whitmore, Harrow County, Hideki Mori, Jean-Sebastien Rossbach, Joe Golem, Kazuo Koike, Keith Champagne, Lara Croft, Larry Hama, Lone Wolf and Cub, Lovern Kindzierski, Marcelo Ferreira, Marissa Louise, Michael Atiyeh, Michelle Madsen, Mike Baron, Mike Huddleston, Mike Mignola, Mystery Girl, Nexus, Patric Reynolds, Patrick Olliffe, Paul Cornell, Paul Tobin, Randy Green, Scott Fischer, Steve Rude, The Night Eternal, The Strain, Tom Nguyen, Tone Rodriguez, Tony Parker, Tyler Crook, Victor Gischler, Wes Dzioba, Will Conrad | |
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| Comic Review: Buffy The Vampire Slayer, Season 9 #10 |
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Buffy the Vampire Slayer, Season 9 #10
Story by Andrew Chambliss and Scott Allie
Pencils by Cliff Richards
Ink by Andy Owens
Colors by Michelle Madsen
Cover by Phil Noto
Alternate Cover by Georges Jeanty with Dexter Vines and Michelle Madsen
Created by Joss Whedon
Dark Horse Comics
Release Date: June 13, 2012
Cover Price: $3.99 Buffy The Vampire Slayer, Season 9 is all about the big existential questions interspersed with some brief action scenes and lovey bits thrown in. Joss Whedon is still the producer and occasional writer of his original creation, so all of those elements seem just as entertaining and challenging as ever. The Apart (Of Me) storyline has been no exception with Buffy The Vampire Slayer: Season 9 #10 rounding up the arc in an orderly fashion. There are no big explosions or revelations, but with a more internalized plot like this one, that would have just been rather tacky. Not to worry, there is stuff actually happening. Buffy-Bot (body of robot, brain o’ Buffy) and Buffy-Not (body of Buffy, brain o’ Robot) get in a tussle with the latest big bad, the rough slayer Simone, Spike’s “bug army” shows up, Detective Dowling is upset over the loss of his partner turned zompire Cheung, Buffy makes a decision about her coffee shop gig, Spike and Buffy make some progress in their relationship etc. All that is rather important, as it sets up the next wave of Buffydom tales in a very natural manner.
...continue reading » Tags: Andrew Chambliss, Andy Owens, Buffy the Vampire Slayer, Cliff Richards, Dark Horse Comics, Dexter Vines, Georges Jeanty, Joss Whedon, Michelle Madsen, Phil Noto, Scott Allie | |
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| Comic Review: Buffy the Vampire Slayer, Season 8: Library Edition Volume 1 HC |
By Darkeva
| June 2nd, 2012 at 6:00 pm |
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Buffy the Vampire Slayer, Season 8
Library Edition, Volume 1 HC
Script by Joss Whedon, Brian K. Vaughan
Pencils by Georges Jeanty, Paul Lee, Cliff Richards
Inks by Andy Owens
Colors by Dave Stewart, Michelle Madsen
Cover by Jo Chen
Dark Horse Comics
Release Date: May 30, 2012
Cover Price: $29.99 Buffy the Vampire Slayer was, and is, one of the most enduring popular cult television shows to ever hit the airwaves. Fan conventions routinely feature the stars of the show, as well as panel discussions. Legions of followers all over the world adore the Buffyverse and when it went off the air, we all thought that was it. But much to the joy of Buffy fans everywhere, creator Joss Whedon teamed up with Dark Horse Comics in 2007 to produce the continuation of the events of the television series. When the first few issues came out, viewers of the TV show who weren’t also comic book fans and weren’t accustomed to the shift in format weren’t sure if the experience would translate for them from screen to book (usually it’s the other way around, with comic books getting big and sometimes small screen adaptations), but the one thing every fan wanted to know was what would happen next. Due to constraints, television plotlines usually can’t afford to veer off in all sorts of different directions the way comics do, and it takes whole seasons to properly go through one storyline. But with comics, the potential for several plotlines multiplies, and this can sometimes cause the reader to feel lost, but this isn’t the case with Buffy the Vampire Slayer Season 8, Volume 1, a hardcover edition that collects the first two arcs of Season 8 (there are eight volumes in total) along with two stand-alone stories together. This is 304 pages of awesomeness that makes the ultimate gift for any die-hard Buffy fan, particularly if they never got around to reading the single issues.
...continue reading » Tags: Andy Owens, Brian K. Vaughan, Buffy the Vampire Slayer, Cliff Richards, Dark Horse Comics, Dave Stewart, Georges Jeanty, Jo Chen, Joss Whedon, Michelle Madsen, Paul Lee | |
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| Comic Review: Dollhouse, Vol. 1: Epitaphs |
Dollhouse, Vol. 1: Epitaphs
Written by Andrew Chambliss, Maurissa Tancharoen, Jed Whedon
Pencils by Cliff Richards
Inks by Andy Owens, Cliff Richards
Colors by Michelle Madsen
Letters by Nate Piekos
Cover Art by Phil Noto
Dark Horse Comics
Release Date: April 11, 2012
Cover Price: $18.99 Dollhouse, Vol. 1: Epitaphs is the trade paperback that collects the first five volumes of the post-apocalyptic follow up to Joss Whedon’s short-lived Fox series. For the unfamiliar, Dollhouse was about the secretive Rossum Corporation, who serviced a high-class clientele by providing them with male and female escorts who would be anybody (and do anything) they’d want. To achieve this, they leveraged a technology allowing them to wipe the minds of their escort “actives” and imprint custom personalities to suit the client. After each mission, the actives would get back a docile blank personality and have no memory of their escort mission.
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