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Comic Review: Green Hornet #20
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By PS Hayes
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| December 21st, 2011 at 3:00 pm
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Green Hornet #20
Written by Ande Parks
Art by Igor Vitorino
Colors by Ivan Nunes
Letters by Marshall Dillon
Covers by Phil Hester, Jonathahn Lau, and Brian Denham
Dynamite Entertainment
Release Date: December 21, 2011
Cover Price: $3.99
If I had to pick one word to describe The Green Hornet #20, it would be-charming. It’s not too often a comic actually makes you feel better after you’ve read it, but this one does just that.
Writer Ande Parks serves up two stories in one issue here. A tale of the original Green Hornet & Kato and one of the modern day Green Hornet & Kato. Both fighting the same villain, but in very different ways.
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Comic Review: Green Hornet Strikes #9
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Green Hornet Strikes #9
Written by Brett Matthews
Art by Ariel Padilla
Dynamite Entertainment
Cover Price: $3.99
Release Date: September 7, 2011
Dynamite Entertainment has done a very good job with the Green Hornet license since they got it a few years back. Green Hornet Strikes #9 is the second to last issue of the story of the Green Hornet of the future. It is a different take on the characters, but it still maintains all of the classic elements that make the Green Hornet memorable. White guy in a mask? Check. Sidekick who is a master of martial arts? Check. Big car? Check and mate. It’s familiar enough to feel comfortable, yet different enough to seem somewhat new and fresh.
Luke lives in a future Chicago that is ravaged by financial disaster and gang warfare. Into this world, he looks to right wrongs and set his own path as the new Green Hornet. As always, The Green Hornet pretends to be a bad guy in order to bring the really bad guys to justice. By this point in Green Hornet Strikes, Luke has met the Kato of the past, and been partnered up with a new Kato. He is now ready to make his final blow against an evil corporation that has kidnapped his would-be girlfriend.
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DVD Review: The Green Hornet (2011)
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The Green Hornet
DVD | Blu-ray
Directed by Michel Gondry
Starring Seth Rogen, Jay Chou, Christoph Waltz, Cameron Diaz, Edward James Olmos, Tom Wilkinson
Release date: May 3, 2011
Since the release of X-Men back in 2000 studios have been snapping up comic book properties like new release day at Golden Apple Comics with an eye towards turning them into big screen blockbuster franchises. Over the past decade the business of making movies based on superhero comics has become a virtual bloodsport and the major casualties are usually those adapted from material no one has ever really heard of, or at least the characters who aren’t considered to be in the “mainstream”.
If you don’t believe me just ask the people responsible for making The Shadow (1994) and The Phantom (1996). Even Dick Tracy (1990), despite packing a metric ton of star power (for the early ’90s), was barely able to break even at the box office. But those characters came from a different and substantially less cynical era, a time when Stan “The Man” Lee was still being referred to as Stanley Leiber and names like Chris Claremont, Alan Moore, Frank Miller, Brian Michael Bendis, Garth Ennis, Ed Brubaker, and Steve Bissette were decades away from prominence in the comics industry. Superhero comics first emerged during the Great Depression, a period in American history when the need for escapist delights were stronger than they ever were or ever would be.
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James Newton Howard To Replace Danny Elfman As ‘Green Hornet’ Composer
For a while now, Danny Elfman has been attached to compose the musical score for Michel Gondry‘s upcoming crime fighting action-comedy The Green Hornet, but it looks like a last-minute change is unfolding.
The Playlist is reporting that they’re sources are saying that Elfman is now out due to simply having too many other projects on his plate. They’re also hearing that the man currently in talks to replace him is James Newton Howard, who also happens to be handling the score for Green Lantern as well. Fancy that.
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