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SDCC 2010: ‘Scott Pilgrim vs. The World’ Panel
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Jedi of Doom   |  

Week of Geek: San Diego Comic Con International 2010

SDCC 2010: Scott Pilgrim vs. The World Panel: Michael Cera 02Well as we all know 2010 San Diego Comic-Con is going on and one of the biggest movies of the summer Scott Pilgrim vs. The World had its panel yesterday in Hall H; the Geeks of Doom crew was there and had some cool things to report, along with tons of pictures, which you can see here below.

This was one of the best and most talked about panels at Comic-Con. The panel started with a video clip about the movie with footage and interviews with director Edgar Wright and actor Michael Cera and the rest of the cast.

Wright was the first to come out on stage and one of the first things he said was “It’s hard to follow Stallone,” referring to the fact that Stallone and the cast of The Expendables were the previous panel.

First out was Scott Pilgrim creator Bryan Lee O’Malley and they talked about how O’Malley never believed that his book would be this big. Wright further added that the movie would be released in “fabulous 2-D.”

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SDCC 2010: Could ‘Tron Legacy’ Be The First Good 3D Film Post Avatar?
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Tom Cheredar   |  

Week of Geek: San Diego Comic Con International 2010

Tron: Legacy may be the first exception to the slew of recent big budget films released in 3D to yield a larger profit margin for studios.

The Disney feature was filmed using a newer generation of the Fusion Camera System developed by James Cameron for Avatar — meaning the 3D elements were done during the filming and not in post-production like Tim Burton’s Alice In Wonderland, Clash of the Titans, and several others.

“The look of Tron is unique. That’s one of the strongest things about it,” said producer and director of the original Tron Steven Lisberger during a press conference at 2010 San Diego Comic-Con.

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Disney Calls In The Pixar Masterminds To Advise ‘The Greatest Muppet Movie Ever Made’
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The Movie God   |  @   |  

It’s no secret that Pixar Animation is the best thing going for The Walt Disney Company these days. The studio behind Toy Story, Finding Nemo, and Wall-E has yet to make a bad movie in their sixteen-year run, making it very obvious that these people know more about great filmmaking than most others combined.

Unsurprisingly, Disney has begun to utilize this asset of theirs when it comes to delivering good non-Pixar films. It began with Tron: Legacy when Pixar was brought in to help with some re-shoots, and now Disney is bringing them back in to help with another upcoming project: The Greatest Muppet Movie Ever Made.

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SDCC 2010: Preview Night Video Blog
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Dave3   |  @   |  

Week of Geek: San Diego Comic Con International 2010

San Diego Comic Con International 2010Greetings all!

The Geeks of Doom crew is here in San Diego, CA, for the 2010 Comic-Con, and it’s been a blast so far. Crazy, exhausting, overwhelming, but also amazing and fun.

Below is a video blog that Dave3, Guy Jen, and Henchman21 did on Wednesday night about their reactions to the Con’s Preview Night (I was working the camera).

You can check out all the photos we took from the event here.

Yesterday, we posted a bunch of stories from the convention, so keep it here at Geeks of Doom because we’ll have much, much more for you all weekend long!

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SDCC 2010: Summit Entertainment’s ‘Red’ Panel
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Mr. BabyMan   |  @   |  

Week of Geek: San Diego Comic Con International 2010

SDCC 2010: RED PanelBeing familiar with the Warren Ellis original property, I was curious going into the panel for Summit Entertainment’s Red to see how far the tone of the film was going to change from the dark, violent graphic novel to the lighter blackly comic adaptation.

Moderator Eric Mora, Editor in chief of IGN Movies, introduced original Red comic creator Warren Ellis, artist Cully Hammer, producer Lorenzo Di Bonaventura, and actors Karl Urban, Mary-Louise Parker, Helen Mirren, and Bruce Willis to the panel.

Bruce Willis praised the work of his co-stars, Mirren noted that with her and Morgan Freeman that they had both “the Queen and God” in the film, as she sported a Harvey Pekar memorial sweater. Warren Ellis noted that his motivation for allowing his property to be adapted was “lots of money… I could buy most of you now.” He wanted the producers to roll with the film in whatever direction they wanted.

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