With it being Valentine’s Day weekend, and all the buzz of the Oscars coming up later this month, it seemed like a perfect time for a COMBO LIST! When most think of Best Picture winners, you think sprawling historical epics like Gone With the Wind (1939), Lawrence of Arabia (1962) or Ben Hur (1959). War is a good place to find Oscar champions as well, such as Patton (1970), Schindler’s List (1993), and Bridge on the River Kwai (1957). But what about love? What about a sweeping romance? With that idea, I’ve scoured the 87 winners of the Best Picture Oscar and found the nine best love stories. Why nine? Because ten is what you were expecting, and with love being the theme, love should be unexpected and spontaneous… and also I could only really think of these 9. Any of these movies would be great to pop open a bottle of wine, dim the lights, and cuddle up with your significant other.

Check out the 9 choices below.

This may come as a bit of a shock to you, but some folks are not too fond of the Transformers movies. For those of you who dislike the movies, prepare to have them destroy some more of the fond movie memories you might have.

In a new video, some of your favorite movies—including Speed, Little Miss Sunshine, Jerry Maguire, Forrest Gump, The Wolf of Wall Street, Titanic, and more—are rudely interrupted by the devastating destruction of the Autobots and Decepticons.

You can check out the video below.

This year marks the 20th anniversary of Forrest Gump, so in celebration, the film will be re-released in IMAX for one week only this September.

The Paramount Pictures film, originally released in theaters on July 6, 1994, won six Academy Awards, including Best Picture, Best Actor for star Tom Hanks (who played the titular character) and Best Director for Robert Zemeckis.

A tip of the birthday hat goes to one of the biggest superstars to come out of the modern age of Hollywood, Tom Hanks, who not only is a supernova of a presence in many forms of mediums, but is also considered one of the great actors and comedians of that modern era as well.

Imbued with a kind of metaphorical force majeure, the widespread appeal of Tom Hanks stretches to all four corners of the globe. Even early in his career, as the sarcastic, Bill Murrayesque character (sometimes in drag) on the late 1970s-early 1980s sitcom, Bosom Buddies, there was an ease about Hanks; it seemed as if he’d been a star for years. He exuded a confidence and hilarity that made a role like the one he played in an early picture he was in – Ron Howard’s Splash – ebullient, effused with the Hanks chipper formula, and elevated that film’s character from what could have been a manifestation of milquetoast into an everyman that the audience cares about. It set the template for the Hanks’ character to come in countless cinematic vehicles that followed (Bachelor Party, The Money Pit, the hyper success Big, the obscure Volunteers, The Man With One Red Shoe, and The Burbs among many others).