| Lightning Deals: Moon, Community, The Karate Kid |
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Every day, Amazon offers up “Lightning Deals,” limited quantities of various products for a discounted price for a 4-hour window of time. You have to be on the lookout for these deals and once the item runs out within that four hours, the sale is over. Meaning, if you see something on sale that you want, buy it immediately before it’s gone. Typically you don’t know what will be on sale until the minute it gets posted, but as part of their Holiday event, Amazon has released this week’s Lightning Deal schedule for Movies & TV on DVD and Blu-ray. See below for a list of today’s deals — which begin at 8:30am PST and run through 9:30pm PST — along with more information on how these special deals work. The last deal goes up at 5:30pm PST. There’s also TONS of extremely low prices and great deals on DVDs and Blu-rays right now, so visit the TOP HOLIDAY DEALS page to see the wide selection. Also, Amazon’s Blu-ray box set deal of the week is the Glee: The Complete First Season Blu-ray Edition for only $34.99 (that’s 50% off the list price of $69.99). The TV Deal of the Week is Married…with Children: The Complete Series DVD box set for only $116.99 (that’s 53% off the list price of $250.95). Both deals are valid only for this week through December 18, 2010. WEDNESDAY, DECEMBER 15, 2010 5:30 a.m. – 9:30 a.m. PST The Karate Kid (2010)
DVD – $9.99 The Karate Kid (2010)
Blu-ray – $13.99 The Karate Kid (1984)
DVD – $6.99 The Karate Kid (1984)
Blu-ray – $11.99 The Karate Kid II
DVD – $6.49 The Karate Kid II
Blu-ray – $11.49
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| Flix of Doom: Episode 6: The Other GuysJen and Justin step up to Step Up 3D, while the queen of the podcast, Eve Of Doom, finally watches Memento! Special guest this week is Robin Burdge from the Media Junkyard podcast, who goes Under the Red Hood. Check out Episode 6 of the Flix of Doom podcast, the official movie podcast of Geeks of Doom, for this week’s box office and movie news, as well as a review of the new Will Ferrell comedy The Other Guys. Full Episode Guide is here below, along with player. Listen now! E-mail us at flixofdoom [at] gmail.com
Follow us on Twitter – @FlixOfDoom
Subscribe to the Podcast: RSS | iTunes
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| Sony Decides Not To Help Sam Rockwell & ‘Moon’ Reach Oscar Dreams |
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If you didn’t catch it, not too long ago a movement was started to get Sam Rockwell an Oscar nomination for his work in one of this year’s most popular independent films, Duncan Jones‘ Moon (Read: Your Mission, Should You Choose To Accept It: Get Sam Rockwell An Oscar Nomination For “˜Moon’!). Where the movie was exalted by many, it wasn’t even seen by many more, and because of this, it appears that Sony Pictures Classics isn’t willing to shell out the monetary backing required to campaign for a movie. They’ve selected the films that they want considered, they’ve sent out all of the screeners, and Moon is just not part of the party. This doesn’t mean that the film still won’t get the nominations many think it deserves, but without the right people seeing it, the challenge becomes all the more difficult. The reason for this decision seems to balance on the cost of screeners: Moon isn’t out here in the United States yet, so Sony doesn’t want to have to spend the cash to watermark a bunch of screeners to send out.
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| Your Mission, Should You Choose To Accept It: Get Sam Rockwell An Oscar Nomination For ‘Moon’! |
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Academy of Motion Picture Arts and Science voters, lend us your eyes. Your attention is demanded! In a Summer movie season dominated by gigantic science fiction and fantasy movies like Transformers: Revenge of the Fallen, X-Men Origins: Wolverine, and Terminator Salvation, two much smaller sci-fi films from lesser-known foreign directors were the ones who stole all of the spotlights. Those two films were Neil Blomkamp’s District 9 and Duncan Jones‘ Moon. Now that all of these movies have come, said their piece, and gone, it does not mean it has to be the last we hear of them. One fan of Moon has taken that a step further, and has begun a campaign to get Academy voters to take notice of Sam Rockwell‘s performance and give it the attention it deserves, hopefully resulting in a Best Actor nomination. The movie, director Duncan Jones, and Rockwell have all been praised numerous times for the film, and it’s difficult to over-look the performance as it is right up on par with Tom Hanks’ nominated work on Cast Away. Rockwell has been around a long time and has given a lot of memorable performances, including some that were the only watchable part of certain films that we’ve seen over the years. So whether he wins a spot on the ballot or not, the man absolutely deserves to be considered.
...continue reading » Tags: Academy of Motion Picture Arts and Sciences, Best Picture, Cat Away, District 9, Duncan Jones, Moon, Movies, Neil Blomkamp, Oscars, Sam Rockwell, Science Fiction, Terminator Salvation, Transformers: Revenge of the Fallen, X-Men Origins: Wolverine | |
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| Duncan Jones Leaves The Moon, Moves On To ‘Mute’ |
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The in-progress story of film maker Duncan Jones is an impressive one. The director took $5 Million on his debut film, and turned it into one of the more popular movies of this summer, Moon. The movie — which stars Sam Rockwell as an astronaut on a three-year mission who ends up dealing with the pains of extended seclusion — is still slowly-but-surely expanding to more and more theaters, and hopefully by the end of its run, it will have made much more than it cost. Even though its box office success is still unknown, Jones is now moving on to his next project, which will be called Mute. Not much is known of the movie yet, only that it will have many more actors than his previous one-man-show, it will be reminiscent to the classic Blade Runner, and also this brief description: “Mute is about a woman whose disappearance causes a mystery for her partner, a mute bartender. When she disappears, he has to go up against the city’s gangsters.” What we do know, is that Jones will be given a much larger $25 Million budget for this next project — a number that has fans excited after seeing what the director did on Moon with such a small amount of financing to work with.
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