Not every director has the same vision or style, and sometimes, a director feels that the movie in question would have been handled differently if he or she were the one directing. Such is the case with Jurassic Park. Recently Avatar director James Cameron spoke to the UK’s Huffington Post, where he said his Jurassic Park would have been different from Steven Spielberg‘s. According to him, it would have been more like Aliens.

The director also talked to Moviefone, where he gave some huge praise for Ridley Scott’s Prometheus.

When movies make money, the studios behind them make sequels. This is no secret. And with the summer’s biggest movies now behind us, it’s time to start looking at which of the movies we’ve seen released over the course of the past few months might be getting sequels.

Some are obvious, while others might come as a bit of a surprise. Continue reading to see what studios are looking at for potential sequels and which talent is already locked in.

Warning: Obviously, this post contains spoilers.

Ridley Scott‘s science-fiction film Prometheus has polarized critics and audiences with its complexity, refusing to provide answers and explanations to the film’s numerous mysteries and burning questions.

One such question is what exactly did David (Michael Fassbender) say to the Engineer to get him so riled up? Did he misspeak? Did he have ulterior motives in translating for Peter Weyland (Guy Pearce) or did he communicate Weyland’s commands accurately? With no subtitles provided, it’s impossible to know what David said in that creepy ancient language – or it was impossible, until now.

Stu Holmes of The Bioscopist interviewed Dr. Anil Biltoo of the SOAS Language Centre in London, who served as the Linguist Teacher on Ridley Scott’s Prometheus.

Prometheus: The Art of the Film
Written by Mark Salisbury
Published by: Titan Books
Hardcover | 192 Pages
Release Date: June 12, 2012

Mark Salisbury is the former editor of Britain’s distinguished movie magazine, Empire, and author of a number of books about film, including Alice in Wonderland A Visual: Companion and Burton on Burton. His latest book is Prometheus: The Art of the Film, a gorgeous 192-page hardcover companion to Ridley Scott‘s return to science-fiction, Prometheus

Published by Titan Books, Prometheus: The Art of the Film includes a foreword from director Ridley Scott and two essays: A Return to Science Fiction, in which Scott summarizes why he wanted to revisit the universe he created in Alien and how the progression of a story that was originally conceived as an Alien prequel mutated into an original science-fiction story.

DISCLAIMER: This feature contains specific plot details and spoilers regarding Sir Ridley Scott‘s latest film, Prometheus. By now you’ve no doubt dedicated hours to scouring the darkest corners of the internet in hopes of finding answers and explanations to the film’s numerous questions and mysteries.

This feature isn’t an attempt to assuage geeks and enthusiasts who demand answers from their speculative science-fiction, but it will discuss the ending of the film so reader beware. But first, let’s start with tonight’s viewing: Ishirô Honda’s 1962 film, King Kong Vs. Godzilla, starring Tadao Takashima, Kenji Sahara and Yû Fujiki.

Mr. Tako (Ichirô Arishima), the chairman of a pharmaceutical company, learns the bizarre tomato-sized berries that grow on Farou Island are a miracle cure. The natives of the island worship a god called King Kong, a colossal ape whose size can be attributed to the berries.

Tako leads a scientific expedition to the island to retrieve the berries and capture the monster. Meanwhile, a crew of American pilots discover Godzilla has escaped from the glacier that sealed his fate back in 1955. From there, King Kong escapes his captors and goes toe-to-toe with Japan’s King of the Monsters in an epic battle royale that manages to throw a giant octopus creature in for good measure.