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‘The Dead Don’t Die’: Watch The “Kill The Head” Restricted Trailer For Upcoming Zombie Comedy
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The Movie God   |  @   |  
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The Dead Don't Die

Focus Features has released a new trailer for The Dead Don’t Die, the zombie comedy from Broken Flowers and Only Lovers Left Alive writer and director Jim Jarmusch. The film features a huge cast, with Bill Murray, Adam Driver, Tilda Swinton, Chloë Sevigny, Steve Buscemi, Danny Glover, Caleb Landry Jones, Rosie Perez, Iggy Pop, Sara Driver, RZA, Selena Gomez, Carol Kane, Austin Butler, Luka Sabbat, and Tom Waits all starring.

The new trailer is of the restricted variety, which means it’s not so safe for workplace viewing. It’s only about a minute long, but the trailer packs in some funny moments and a few good zombie kills. You can find a synopsis for The Dead Don’t Die and watch the new trailer below.

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‘The Dead Don’t Die’ Trailer: Adam Driver Leads Ensemble Against A Funny Kind Of Zombie
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eelyajekiM   |  @   |  
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The Dead Don't Die Trailer

If you’ve seen one zombie movie, you’ve probably seen them all. The undead walking amongst the living and spreading the infection by chomping down on innocent victims. The rules of surviving this world have been well established throughout many zombie films.

But the latest from writer and director Jim Jarmusch (Broken Flowers, Only Lovers Left Alive), titled The Dead Don’t Die, portrays zombies in a different kind of light. One that will see Adam Driver leading “the greatest zombie cast ever disassembled.”

Focus Features has released an official trailer for the film, and you can check it out below along with a poster.

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Second ‘Suspiria’ Trailer Will Dance The Dance That Gives You Shivers
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eelyajekiM   |  @   |  
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Suspiria Remake

The surprising thing about Luca Guadagnino‘s vision for a new Suspiria that will hook audiences may be an actual hook. And lots of other mysterious happenings that will keep them in suspense.

At least that’s what we can expect thanks to the newly released trailer, where a dance academy may not be just a dance academy. Check out the full trailer below.

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Teaser Trailer For Remake Of Dario Argento’s ‘Suspiria’ Released
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The Movie God   |  @   |  
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Suspiria Remake

A teaser trailer has been released for Suspiria, a remake of Dario Argento’s 1977 horror film of the same name.

The remake is directed by Luca Guadagnino, who helmed the recent Academy Award winner Call Me by Your Name, and stars Dakota Johnson, Tilda Swinton, Mia Goth, Jessica Harper, and Chloe Grace Moretz. The screenplay was penned by David Kajganich, who previously wrote The Invasion and Blood Creek, co-wrote the upcoming Pet Sematary remake, and created the AMC series The Terror.

Click on over to the other side for a brief description of the movie, and to check out the first trailer along with a collection of posters that have been released building up to the trailer.

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Movie Review: Isle Of Dogs
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eelyajekiM   |  @   |  
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Isle Of Dogs Wes Anderson

Isle Of Dogs
Director: Wes Anderson
Screenwriter: Wes Anderson
Cast: Bryan Cranston, Edward Norton, Bill Murray, Jeff Goldblum, Kunichi Nomura, Ken Watanabe, Greta Gerwig, Frances McDormand, Courtney B. Vance, Fisher Stevens, Nijiro Murakami, Harvey Keitel, Koyu Rankin, Liev Schreiber, Bob Balaban, Scarlett Johansson, Tilda Swinton, Akira Ito, Akira Takayama, F. Murray Abraham, Yojiro Noda, Mari Natsukim, Yoko Ono, Frank Wood
Distributor: Fox Searchlight
Rated PG-13 | 101 Minutes
Release Date: March 23, 2018 (Limited); April 6, 2018 (Wide)

There is plenty of visually pleasing aesthetics to look at when seeing a film like Wes Anderson‘s Isle Of Dogs. The director’s latest stop-motion animation effort has all of his signature symmetrical, camera-panning style and deadpan humor. It also happens to be one of Anderson’s most politically charged films by addressing some very serious themes that affect us today. Unfortunately, none of that takes away from the fact that there is some appropriation going on, with the added white savior factor, and that the Japanese characters are playing supporting roles in a film set entirely in Japan.

Therein lies one of the greatest problems of this film. How much of it is Anderson paying homage to a culture by using the beautiful aesthetics and Akira Kurosawa inspirations, and how much of it is his signature being written over a culture? It’s the paradox that just keeps on giving. Check out my full review here below.

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