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‘Soul’ Trailer: Pixar’s Latest Wants To Know About Our Purpose In Life And All That Jazz
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eelyajekiM   |  @   |  
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Pixar's Soul

Pixar has this incredible track record of releasing films that combine great storytelling with outstanding animation. For them, it’s always about the story that takes audiences to worlds they’ve never been to. Films like Inside Out and Coco have done that. And it looks like they have done it again with Soul from director Pete Docter, which stars Jamie Foxx and Tina Fey.

A teaser trailer has arrived today for the film. In it, audiences will be taken to a world where our personality and souls are developed long before we step foot on this earth. And there will be some catchy music to go along with it as globally renowned musician Jon Batiste is writing original jazz music for the film and Oscar winners Trent Reznor and Atticus Ross (The Social Network) are creating an original score. Check out the trailer below.

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D23 Expo 2019: Pixar’s ‘Soul’ Will Have Music From Jon Batiste, Score By Trent Reznor and Atticus Ross
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eelyajekiM   |  @   |  
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Pixar's Soul

My recent trip to Pixar was not only exciting, it was also inspirational. The studio keeps coming up with innovative ways to tell these stories in bold new ways. One of those films will be Soul, from director and new Chief Creative Officer at Pixar Animation Studios Pete Docter.

Docter was on hand to present a little bit about the film to a full house on Saturday at the D23 Expo. And based on what he was able to share, this will be one of Pixar’s most cerebral films to date. See more below for our on-site coverage from D23.

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Nine Inch Nails’ Trent Reznor and Atticus Ross To Score HBO’s ‘Watchmen’ Series
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The Movie God   |  @   |  
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Trent Reznor and Atticus Ross To Score Watchmen

HBO’s series based on the Alan Moore and Dave Gibbons comic Watchmen has found some folks to make some music for it.

It’s been announced that Nine Inch Nails’ Trent Reznor and Atticus Ross, who won an Academy Award for their work scoring David Fincher’s The Social Network and also composed scores for The Girl with the Dragon Tattoo and Gone Girl, have joined the series.

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Watch Now: ‘The Girl with the Dragon Tattoo’ Opening Credits Sequence
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The Girl with the Dragon Tattoo

The jury was out for a whole as to whether David Fincher‘s Americanized take on The Girl with the Dragon Tattoo (read my review here) would be successful enough to warrant sequels on the second and third books in Stieg Larsson‘s Millennium trilogy; in its third week of release the movie had yet to make back its reported $90 million budget, and then there’s the small matter of the cost of its expansive marketing campaign. But Sony did greenlight the sequels this week, though no word yet if the director or the stores will return.

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Movie Review: The Girl with the Dragon Tattoo (2011)
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Girl with the Dragon TattooThe Girl with the Dragon Tattoo
Directed by David Fincher
Written by Steven Zallian
Starring Daniel Craig, Rooney Mara, Christopher Plummer, Stellan Skarsgard, Steven Berkoff, Robin Wright, Goran Visnjic, Joely Richardson
Release Date: December 20, 2011

Crusading journalist and magazine publisher Mikael Blomkvist (Daniel Craig) has just taken a major hit to his finances and reputation in a libel suit brought against him by billionaire businessman Hans-Erik Wennerström (Ulf Friberg). As he’s trying to figure out his next move while keeping his personal life afloat, Mikael is summoned by retired industrialist Henrik Vanger (Christopher Plummer) to his palatial estate on an island in the Swedish countryside. The older gentleman offers the disgraced Blomkvist a golden opportunity that will replenish his bank account and restore his reputation as an honest reporter if he will use his investigative skills to solve the mystery of the disappearance of Vanger’s great-niece Harriet, whom he believes was murdered four decades ago. Blomkvist is reluctant to take on such a task, but when Vanger also offers to give him the crucial evidence he needs to bring Wennerström to justice, the embattled writer accepts the job.

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