The first teaser trailer is coming next week, and while we’re waiting, Marvel released an ant-size teaser, which was an extremely tiny sneak peek.

So, now, the studio has released the “human-size” teaser preview, which you can watch here below.

The first full teaser trailer for Ant-Man will air on Tuesday during the 2-hour television premiere of Marvel’s Agent Carter‘s on Tuesday, January 6 beginning at 8pm ET on ABC.

Filming on Ant-Man began today in San Francisco, CA, and will later head to Atlanta, GA, which will serve as the base for the film’s production, according to Marvel, who announced the news this morning.

Last week, we reported on a rumor that some of the cameos we would see in Ant-Man would have some pretty big connections. Stark seems to be at the center of those connections, with Peggy Carter, Howard Stark, and Arnim Zola also being involved. Based on that, we can speculate that Hank Pym would be a member of the group that helped create S.H.I.E.L.D.

Marvel’s announcement today confirms that cast has grown quite a bit. Judy Greer, T.I., Bobby Cannavale, and John Slattery have all joined the film. We can also confirm that Michael Pena is going to be in Ant-Man. Hit the jump for more.

It’s hard to describe a movie like Movie 43, because there is no actual place to start. The comedy is a collection of shorts and skits directed by – take a deep breath now – Patrick Forsberg, Peter Farrelly, Elizabeth Banks, Steven Brill, Steve Carr, Tusty Cundieff, James Duffy, Griffin Dunne, James Gunn, Bob Odenkirk, and Brett Ratner. If you thought the directors list was big, just wait until you see the cast list.

This hilarious red band trailer features comedic acts that can only be described as vulgar, disgusting, provocative, offensive, and other repulsive adjectives you can think of. But it’s all for the sake of comedy, and this red band trailer reveals that Movie 43 has the potential to be a daring comedy. Check out the trailer and the actors involved below.

The film stars so many people, that it’s impossible to fit them in this opening text. Take a deeper breath than the one you took before, as this is the cast of Movie 43…

HBO has announced the dates that Boardwalk Empire and Treme will return to your TVs, both entering into their third seasons, respectively.

Boardwalk Empire, which stars Steve Buscemi as corrupt politician Enoch “Nucky” Thompson, is set to begin its 12-episode season 3 on Sunday, September 16th at 9:00 p.m. ET/PT. The show also stars Kelly Macdonald, Michael Shannon, Shea Whigham, Jack Huston, Stephen Graham, Michael Stuhlbarg, Vincent Piazza, Paul Sparks, Michael KennethWilliams, Gretchen Mol, and Bobby Cannavale.

Win Win
Directed by Tom McCarthy
Starring: Paul Giamatti, Amy Ryan, Bobby Cannavale, Jeffrey Tambor, Burt Young, Melanie Lynskey, Alex Shaffer
Release: March 18, 2011

Reciprocity is what we find in all of director Tom McCarthy‘s films and very rarely found in others’ films. He is a filmmaker who recognizes and spotlights individuals who are of two molds: caretakers and people who need taken care of. What defines a film by McCarthy, though, is his ability to make a character both caretaker and one who needs to be taken care of. His two previous films, The Station Agent and The Visitor, displayed individuals who were emotionally destroyed and in shameful situations. But yet there still remained in them a spark of life that has the ability to make the necessary preparations for getting themselves and others whose lives have been stifling out of a grievous situation. Win Win is no different. The film doesn’t see the human spirit as triumphant, and while that may sound bleak it is the foundation in which McCarthy constructs his films on. He evaluates his characters in a burdensome state only to find in them qualities that may allow them to rise against adversity.

Win Win, a comedy-drama that takes into consideration the fragility of the human spirit, is a small film with, sad to say, small ambitions. It plays it safe with the material it has while room for expansion is evident and much encouraged. McCarthy doesn’t magnify his material but rather keeps it subdued while we want more emotion, especially when we have actors capable of exploiting their internal and external frustrations.