The Academy Of Motion Picture Arts and Sciences has partnered up with the people of Gallery 1988 and fellow artists to commission creating posters for the 2013 Best Picture Nominees. Oscar.com revealed the poster specs, which could mean that these posters could go on sale. And if you are a cinephile, a fan of any of these movies, or love to collect posters created by independent artists, then you should be hoping that these go on sale, because these posters look great.

Check out the posters of all nine of the nominees below and don’t forget to tell us which ones you would like to have hang on your walls.

Below is all the info you need to know about the posters, plus a small profile on the artist behind them. Be sure to check out Oscar.com and Gallery1988.com on occasions to see if these posters do go up on sale.

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Hello There! This is Adam Frazier and you are listening to Skull-Face Island, the official movie podcast of Geeks of Doom! As always I’m joined by the Carrie Matheson to my Saul Berenson, David Allen… and a man prone to restless leg syndrome AND genre blindness, producer Tim Grant.

Today on the Show: We’ll discuss Kathryn Bigelow‘s latest film, Zero Dark Thirty, and boot-up the Geek-O-Matic TeleFax for all the latest news on MGM’s Ben-Hur remake, a Star Wars spin-off film inspired by Akira Kurosawa‘s Seven Samurai, and Brad Bird’s 1952.

We also kick off a four-part series of “BEST OF THE YEAR” lists with special guest Sean O’Connell of Fandango, Movies.Com, CinemaBlend, and The Washington Post. On this week’s installment we’ll cover the best performances of 2012 for both supporting actors and actresses. You’ll definitely want to tune in for the insanity that ensues.

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2012 was a fantastic year for movies. Films like The Dark Knight Rises and Marvel’s The Avengers entertained audiences with blockbuster action sequences and the ultimate in childhood wish fulfillment, while movies such as Drew Goddard‘s Cabin in the Woods and Gareth Edward‘s The Raid: Redemption will long be remembered as putting the nail in the coffin of their respective genres.

We saw new films from acclaimed directors like Steven Spielberg, Quentin Tarantino, Ridley Scott, Christopher Nolan, Ang Lee, David O. Russell, Paul Thomas Anderson, William Friedkin, Steven Soderbergh, Ben Affleck, Sam Mendes, and Kathryn Bigelow. Not to mention the latest offerings from Rian Johnson, Joss Whedon, Richard Linklater, and newcomers Colin Trevorrow, Benh Zeitlin, and Stephen Chbosky.

So many memorable characters – so many great lines delivered by talented actors inhabiting their roles. Here are some of the best (and a few of the worst) film quotes from 2012. Feel free to include your own in the comments! You can also check out my Top 25 Films of 2012 here!

The headline alone should acknowledge the absurdity that there is even a shred of evidence that proves such a thing, but film critic Armond White believes that A Thousand Words, Eddie Murphy’s flop – and I say that lightly – is indeed better than Ben Affleck’s critically acclaimed Argo.

White is notorious for obliterating highly acclaimed films and praising colossal failures, so seeing him make such comparisons isn’t a total shock. But if you don’t know who he is, well let’s just say that he thinks Resident Evil 5 director Paul W.S. Anderson is better The Master director Paul Thomas Anderson.

Zero Dark Thirty
Directed by Kathryn Bigelow
Written by Mark Boal
Starring: Jessica Chastain, Jason Clarke, Joel Edgerton, Mark Strong, Chris Pratt, Kyle Chandler, Mark Duplass
Columbia Pictures
Rated R | 160 Minutes
Release Date: January 11, 2013

“I’m the motherfucker who found this place.” – Maya (Jessica Chastain)

For over a decade, an elite team of intelligence and military operatives, working in secret across the globe, devoted themselves to a single goal: to find and eliminate Osama bin Laden.

Zero Dark Thirty reunites the Academy Award-winning team of director-producer Kathryn Bigelow and writer-producer Mark Boal (The Hurt Locker) for
the story of history’s greatest manhunt for the world’s most dangerous man.

As I’m sure you’re aware, Zero Dark Thirty features graphic scenes of enhanced interrogation tactics that were implemented by the Bush administration after 9-11, techniques like waterboarding and sexual humiliation that are illegal under international law.

It seems like many political commentators and CIA officials are worried that, by including the dark side of the government’s hunt for Al Qaeda, Bigelow’s film may give viewers the wrong impression: that the brutal interrogation methods are the reason we located Bin Laden’s compound.

That’s simply not the case and anyone who walks out of Zero Dark Thirty with the impression that it takes a pro-torture stance didn’t pay attention to the intricacies of the narrative. Depiction is not endorsement, and if it was, no artist could ever portray inhuman practices; no author could ever write about them; and no filmmaker could ever explore them.